Library of the World's Best Literature, Ancient and Modern — Volume 08
Religion
Library of the World's Best Literature, Ancient and Modern — Volume 08
Literature -- Collections
So far, Burns alone, and Burns only at his rarer heights, can give a
modern reader some idea of Catullus. But Burns had little education
and less taste; and so when he leaves the ground of direct personal
emotion,--that is to say, in nineteen-twentieths of his poetry,--he is
constantly on the edge, and often over it, of tawdriness, vulgarity,
commonplace. Catullus was master of all the technical skill then known
to poetry. Without anything approaching the immense learning of Virgil
or Milton, he had, like Shelley among English poets, the instincts and
training of a scholar. It is this fine scholarship--the eye and hand
of the trained artist in language--combined with his lucid and
imperious simplicity, like that of some gifted and terrible child,
that makes him unique among poets. When he leaves the golden fields of
poetry and dashes into political lampoons, or insolent and unquotable
attacks on people (men or women) who had the misfortune to displease
him, he becomes like Burns again, Burns the satirist; yet even here
nimbler witted, lighter of touch, with the keenness of the rapier
rather than of the Northern axe-edge.
His scholarliness--like that of most scholars--was not without its
drawbacks. His immediate literary masters, the Greeks of the
Alexandrian school, were a coterie of pedants; it would be idle to
claim that he remained unaffected by their pedantry. In the last years
of his life he seems to have lost himself somewhat in technical
intricacies and elaborate metrical experiments; in translations from
that prince in preciosity, the Alexandrian Callimachus; and idyllic
pieces of overloaded ornament studied from the school of Theocritus.
The longest and most ambitious poem of these years, the epic idyl on
'The Marriage of Peleus and Thetis,' is full of exquisite beauties of
detail, but taken in its whole effect is languid, cloying, and
monotonous. He makes a more brilliant success in his other long poem,
the famous 'Atys,' the single example in Latin of the large-scale
lyric so familiar to Greece and England.
Public-domain text, read in full here on John Shaqi.
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