Library of the World's Best Literature, Ancient and Modern — Volume 08
Religion
Library of the World's Best Literature, Ancient and Modern — Volume 08
Literature -- Collections
The wood of Celyddon is the Caledonian Forest. So far as these
excerpts go, they might seem to be the writing of the real Merlin.
There is internal evidence however that this poem, the much disputed
poem of the 'Apple-trees,' and others that follow it in the 'Black
Book,' were written not earlier than the twelfth century. Stephens,
usually an acute critic, imputes in his 'Literature of the Kymry'
these poems to Gwalchmai and other bards of later date. But even so,
these poets evidently founded their poems upon earlier ones,
traditionally handed on as Merlin's.
From such later sources as the 'Myvyrian Archæology,' or Skene's 'Four
Ancient Books of Wales,' or the admirable Oxford texts edited by
Professor Rhys and Mr. Gwenogfvyn Evans, one can rehabilitate at will
the Merlin of the 'Black Book of Carmarthen,' much as Villemarqué has
done after a fashion quite his own. Enough will so be certainly
discovered to outline a primitive Merlin, an original sixth-century
Merlin, under the impressive mediæval robes of the Latin-Welsh
romantic chroniclers and poets. Enough too will be made clear to show
a basis of myth and prehistoric legend behind the remotest recorded
name, time, or place that can be counted historical.
The same is true of Taliesin, who appears, by the poetical remains
attributed to him,--some of them clearly mediæval, others just as
clearly primitive,--even more interesting as a poet than Merlin. Just
as there are several Merlins, however, there are two Taliesins: there
is the fifth-century Taliesin, and there is the pseudo-Taliesin of the
twelfth. Both are wonderful in their way, and one knows not which to
admire most--him who wrote the 'Battle of Gwenystrad,' which is
undoubtedly a primitive war song, or the mediæval poet who chose to
take the disguise of Taliesin, and taking too, probably, some of the
traditional fragments of his early poetry, worked them up afresh with
curious mediæval art and mystic imagination. For comparison let us
take an early and a late poem, commonly gathered, as in the 'Myvyrian
Archæology,' under one head.
Public-domain text, read in full here on John Shaqi.
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