Library of the World's Best Literature, Ancient and Modern — Volume 09
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Library of the World's Best Literature, Ancient and Modern — Volume 09
Literature -- Collections
Now when I had mastered the language of this water and had come to know
every trifling feature that bordered the great river as familiarly as I
knew the letters of the alphabet, I had made a valuable acquisition. But
I had lost something too. I had lost something which could never be
restored to me while I lived. All the grace, the beauty, the poetry had
gone out of the majestic river! I still kept in mind a certain wonderful
sunset which I witnessed when steamboating was new to me. A broad
expanse of the river was turned to blood; in the middle distance the red
hue brightened into gold, through which a solitary log came floating,
black and conspicuous; in one place a long slanting mark lay sparkling
upon the water; in another the surface was broken by boiling tumbling
rings that were as many-tinted as an opal; where the ruddy flush was
faintest, was a smooth spot that was covered with graceful circles and
radiating lines, ever so delicately traced; the shore on our left was
densely wooded, and the sombre shadow that fell from this forest was
broken in one place by a long ruffled trail that shone like silver; and
high above the forest wall a clean-stemmed dead tree waved a single
leafy bough, that glowed like a flame in the unobstructed splendor that
was flowing from the sun. There were graceful curves, reflected images,
woody heights, soft distances; and over the whole scene, far and near,
the dissolving lights drifted steadily, enriching it every passing
moment with new marvels of coloring.
I stood like one bewitched. I drank it in, in a speechless rapture. The
world was new to me, and I had never seen anything like this at home.
But as I have said, a day came when I began to cease from noting the
glories and the charms which the moon and the sun and the twilight
wrought upon the river's face; another day came when I ceased
altogether to note them. Then, if that sunset scene had been repeated, I
should have looked upon it without rapture and should have commented
upon it inwardly after this fashion: This sun means that we are going to
have wind to-morrow; that floating log means that the river is rising,
small thanks to it; that slanting mark on the water refers to a bluff
reef which is going to kill somebody's steamboat one of these nights, if
it keeps on stretching out like that; those tumbling "boils" show a
dissolving bar and a changing channel there; the lines and circles in
the slick water over yonder are a warning that that troublesome place is
shoaling up dangerously; that silver streak in the shadow of the forest
is the "break" from a new snag, and he has located himself in the very
best place he could have found to fish for steamboats; that tall dead
tree, with a single living branch, is not going to last long, and then
how is a body ever going to get through this blind place at night
without the friendly old landmark?
Public-domain text, read in full here on John Shaqi.
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