Library of the World's Best Literature, Ancient and Modern — Volume 11
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Library of the World's Best Literature, Ancient and Modern — Volume 11
Literature -- Collections
'Jack,' which came next, exceeded the usual length of French novels.
"Too much paper, my son!" old Flaubert majestically observed with a
smile when the author presented him with a copy of his book. As for
George Sand, she felt so sick at heart and so depressed when she had
finished reading 'Jack,' that she could work no more and had to remain
idle for three or four days. A painful book, indeed, a distressing book,
but how fascinating! And is not its wonderful influence over the readers
exemplified in the most striking manner by the fact that it had the
power to unnerve and to incapacitate for her daily task that most
valiant of all intellectual laborers, that hardest of hard workers,
George Sand?
The lost ground, if there had been any lost at all, was soon regained
with 'Le Nabab' (The Nabob) and 'Les Rois en Exil' (Kings in Exile).
They took the reader to a higher sphere of emotion and thought, showed
us greater men fighting for greater things on a wider theatre than the
middle-class life in which Fromont and Risler had moved. At the same
time they kept the balance more evenly than 'Jack' had done between the
two elements of human drama, good and evil, hope and despair, laughter
and tears. But a higher triumph was to be achieved with 'Numa
Roumestan,' which brought Daudet's literary fame to its zenith.
'Tartarin' had not exhausted all that the author had to say of
meridional ways and manners. The Provencal character has its dramatic as
well as its comic aspect. In 'Numa Roumestan' we have the farce and the
tragedy blended together into a coherent whole. We have a Tartarin whose
power over man and woman is not a mockery but a reality, who can win
love and sympathy and admiration, not in little Tarascon, mind you, but
in Paris; who sends joy abroad and creates torture at home; a charming
companion, a kind master, a subtle politician, a wonderful talker, but a
light-hearted and faithless husband, a genial liar, a smiling and
good-natured deceiver; the true image of the gifted adventurer who
periodically emerges from the South and goes northward finally to
conquer and govern the whole country.
Public-domain text, read in full here on John Shaqi.
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