Library of the World's Best Literature, Ancient and Modern — Volume 11
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Library of the World's Best Literature, Ancient and Modern — Volume 11
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The little prince accompanied his fervent murmur with the imploring
looks of a supplicant; but Christian turned away his head, shrugged his
shoulders, and furious though still polite, he muttered a few words
between his teeth: "Exaggeration! most improper; turn the child's head."
Then he tried to withdraw and gain the door. With one bound the Queen
was on her feet, caught sight of the table from which the parchment had
disappeared, and comprehending at once that the infamous deed was
signed, that the king had it in his possession, gave a despairing
shriek:--
"Christian!"
He continued to advance towards the door.
She made a step forward, picking up her dress as if to pursue him; then
suddenly said:--
"Well, be it so."
He stopped short and turned round. She was standing before the open
window, her foot upon the narrow stone balcony, with one arm clasping
her son ready to bear him into death, the other extended menacingly
towards the cowardly deserter. The moon lit up from without this
dramatic group.
"To an operetta King, a Queen of tragedy," she said, stern and terrible.
"If you do not burn this instant what you have just signed, and swear on
the cross that it will never be repeated, your race is ended, crushed,
wife and child, there on the stones."
Such earnestness seemed to inspire her vibrating tone, her splendid
figure bent towards the emptiness of space as though to spring, that the
King, terrified, dashed forward to stop her.
"Frederique!"
At the cry of his father, at the quiver of the arm that held him, the
child--who was entirely out of the window--thought that all was
finished, that they were about to die. He never uttered a word nor a
moan; was he not going with his mother? Only, his tiny hands clutched
the queen's neck convulsively, and throwing back his head with his fair
hair hanging down, the little victim closed his eyes before the
appalling horror of the fall.
Christian could no longer resist. The resignation, the courage of this
child, who of his future kingly duties already knew the first--to die
well--overcame him. His heart was bursting. He threw upon the table the
crumpled parchment which for a moment he had been nervously holding in
his hand, and fell sobbing in an arm-chair. Frederique, still
suspicious, read the deed through from the first line to the very
signature, then going up to a candle, she burned it till the flame
scorched her fingers, shaking the ashes upon the table; she then left
the room, carrying off her son, who was already falling asleep in her
arms in his heroically tragic attitude.
Translation of Laura Ensor and E. Bartow.
MADAME DU DEFFAND
(MARIE DE VICHY-CHAMROND)
(1697-1780)
[Illustration: MADAME DU DEFFAND]
Madame du Deffand is interesting as a personality, a type, and an
influence. Living through nearly the whole of the eighteenth century,
she assimilated its wealth of new ideas, and was herself a product of
the thought-revolution already kindling the spirit of 1789.
Public-domain text, read in full here on John Shaqi.
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