One day that the insurgents had been beaten, he wandered through a village that had just been taken by the Dutch, and was therefore in flames. Saidjah knew that the troop that had been destroyed there consisted for the most part of Badoer men. He wandered like a ghost among the houses which were not yet burned down, and found the corpse of Adinda's father with a bayonet wound in the breast. Near him Saidjah saw the three murdered brothers of Adinda, still only children, and a little further lay the corpse of Adinda, naked and horribly mutilated. * * * * * Then Saidjah went to meet some soldiers who were driving, at the point of the bayonet, the surviving insurgents into the fire of the burning houses; he embraced the broad bayonets, pressed forward with all his might, and still repulsed the soldiers with a last exertion, until their weapons were buried to the sockets in his breast. THOMAS DEKKER (1570?-1637?) Thomas Dekker, the genial realist, the Dickens of Jacobean London, has left in his works the impress of a most lovable personality, but the facts with which to surround that personality are of the scantiest. He was born about 1570 in London; at least in 1637 he speaks of himself as over threescore years of age. This is the only clue we have to the date of his birth. He came probably of a tradesman's family, for he describes better than any of his fellows in art the life of the lower middle class, and enters into the thoughts and feelings of that class with a heartiness which is possible only after long and familiar association. He was not a university man, but absorbed his classical knowledge as Shakespeare did, through association with the wits of his time. He is first mentioned in Henslowe's diary in 1597, and after that his name appears frequently. He was evidently a dramatic hack, working for that manager, adapting and making over old plays and writing new ones. He must have been popular too, for his name appears oftener than that of any of his associates. Yet his industry and popularity could not always keep him above water. Henslowe was not a generous paymaster, and the unlucky dramatist knew the inside of the debtor's prison cell; more than once the manager advanced sums to bail him out. Oldys says he was in prison from 1613 to 1616. After 1637 we find his name no more.