Library of the World's Best Literature, Ancient and Modern — Volume 11
General
Library of the World's Best Literature, Ancient and Modern — Volume 11
Literature -- Collections
Oftentimes at Oxford I saw Levana in my dreams. I knew her by her Roman
symbols. Who is Levana? Reader, that do not pretend to have leisure for
very much scholarship, you will not be angry with me for telling you.
Levana was the Roman goddess that performed for the new-born infant the
earliest office of ennobling kindness,--typical, by its mode, of that
grandeur which belongs to man everywhere, and of that benignity in
powers invisible which even in pagan worlds sometimes descends to
sustain it. At the very moment of birth, just as the infant tasted for
the first time the atmosphere of our troubled planet, it was laid on the
ground. _That_ might, bear different interpretations. But immediately,
lest so grand a creature should grovel there for more than one instant,
either the paternal hand as proxy for the goddess Levana, or some near
kinsman as proxy for the father, raised it upright, bade it look erect
as the king of all this world, and presented its forehead to the stars,
saying perhaps in his heart, "Behold what is greater than yourselves!"
This symbolic act represented the function of Levana. And that
mysterious lady, who never revealed her face (except to me in dreams),
but always acted by delegation, had her name from the Latin verb (as
still it is the Italian verb) _levare_, to raise aloft.
This is the explanation of Levana. And hence it has arisen that some
people have understood by Levana the tutelary power that controls the
education of the nursery. She that would not suffer at his birth even a
prefigurative or mimic degradation for her awful ward, far less could be
supposed to suffer the real degradation attaching to the non-development
of his powers. She therefore watches over human education.
Therefore it is that Levana often communes with the powers that shake
man's heart: therefore it is that she dotes upon grief. "These ladies,"
said I softly to myself, on seeing the ministers with whom Levana was
conversing, "these are the Sorrows; and they are three in number, as the
_Graces_ are three, who dress man's life with beauty; the _Parcae_ are
three, who weave the dark arras of man's life in their mysterious loom
always with colors sad in part, sometimes angry with tragic crimson and
black; the _Furies_ are three, who visit, with retributions called from
the other side of the grave, offenses that walk upon this; and once even
the _Muses_ were but three, who fit the harp, the trumpet, or the lute,
to the great burdens of man's impassioned creations. These are the
Sorrows, all three of whom I know." The last words I say _now_; but in
Oxford I said, "One of whom I know, and the others too surely I _shall_
know." For already in my fervent youth I saw (dimly relieved upon the
dark background of my dreams) the imperfect lineaments of the awful
sisters. These sisters--by what name shall we call them?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account