Library of the World's Best Literature, Ancient and Modern — Volume 12
General
Library of the World's Best Literature, Ancient and Modern — Volume 12
Literature -- Collections
When a young man, Drachmann studied at the Academy of Arts in
Copenhagen, and met with considerable success as a marine painter. His
love for the Northern seas shows itself in his poetry and prose, and
his descriptions of the sea and the life of the sailor and fisherman
are of the truest and best yielded by his pen. He is the author of no
less than forty-six volumes of poems, dramas, novels, short stories,
and sketches, and of two unpublished dramas. His most important work
is 'Forskrevet' (Condemned), which is largely autobiographical; his
most attractive though not his strongest production is the opera 'Der
Var Engang' (Once Upon a Time), founded on Andersen's 'The Swineherd,'
with music by Sange Müller; his best poems and tales are those dealing
with the sea.
At present he lives in Hamburg, where on October 10th, 1896,
he celebrated his fiftieth birthday and his twenty-fifth
"Author-Jubilee," as the Danes call it. Among the features of the
celebration were the sending of an enormous number of telegrams from
Drachmann's admirers in Europe and America, and the performance of two
of his plays,--one at the Royal Theatre in Copenhagen, the other at
the Stadt Theatre in Altona.
THE SKIPPER AND HIS SHIP
From 'Paul and Virginia of a Northern Zone': copyright 1895, by Way
and Williams, Chicago
The Anna Dorothea, in the North Sea, was pounding along under
shortened sail. The weather was thick, the air dense; there was a
falling barometer.
It had been a short trip this time. Leroy and Sons, wine merchants of
Havre, had made better offers than the old houses in Bordeaux. At each
one of his later trips, Captain Spang had said it should be his last.
He would "lay up" at home; he was growing too stout and clumsy for the
sea, and now he must trust fully to Tönnes, his first mate. The
captain's big broad face was flushed as usual; he always looked as if
he were illuminated by a setting October sun; there was no change
here--rather, the sunset tint was stronger. But Tönnes noted how the
features, which he knew best in moments of simple good-nature and of
sullen tumult, had gradually relaxed. He thought that it would indeed
soon be time for his old skipper to "lay up"; yet perhaps a few trips
might still be made.
"Holloa, Tönnes! let her go about before the next squall strikes her.
She lies too dead on this bow."
The skipper had raised his head above the cabin stairs. As usual, he
was in his shirt-sleeves, and his scanty hair fluttered in the wind.
When he had warned his mate, he again disappeared in the cabin.
Tönnes gave the order to the man at the helm, and hurried to help at
the main-braces. The double-reefed main-topsail swung about, the Anna
Dorothea caught the wind somewhat sluggishly, and not without getting
considerable water over her; then followed the fore-topsail, the
reefed foresail, and the trysail. When the tacking was finished and
the sails had again caught the wind, the trysail was torn from the
boltropes with a loud crack.
Public-domain text, read in full here on John Shaqi.
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