Library of the World's Best Literature, Ancient and Modern — Volume 12
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Library of the World's Best Literature, Ancient and Modern — Volume 12
Literature -- Collections
My wife gets impatient, smiles, is vexed, kisses me, and asks for
scissors. Baby on his side bites his lips, pulls with all his might,
and at last asks me to help him. He longs to see through the paper.
Desire and expectation are painted on his face. The convulsive
movement of his hand in the folds of the quilt rustles the silk, and
he makes a sound with his lips as though a savory fruit were
approaching them.
The last paper is off, finally the cover is lifted, there is an outcry
of joy.
"My tippet!"
"My menagerie!"
"Like my muff,--my dear husband!"
"With a real shepherd, on wheels, dear papa, _how_ I love you!"
They hug me, four arms at once wind round and press me close. I am
stirred--a tear comes to my eyes; two come to those of my wife; and
Baby, who loses his head, utters a sob as he kisses my hand.
How absurd! you will say. I don't know whether it is absurd or not,
but it is charming, I promise you. After all, does not sorrow wring
tears enough from us to make up for the solitary one which joy may
call forth? Life is less happy when one chances it alone; and when the
heart is empty, the way seems long. It is so good to feel one's self
loved; to hear the regular steps of one's fellow travelers beside one;
and to think, "They are there, our three hearts beat together;" and
once a year, when the great clock strikes the first of January, to sit
down beside the way with hands clasped together and eyes fixed upon
the dusty unknown road stretching on to the horizon, and to embrace
and say:--"We will always love each other, my dear ones; you depend
upon me and I on you. Let us trust and keep straight on."
And that is how I explain that we weep a little in looking at a tippet
and opening a menagerie.
Translated by Jane G. Cooke, for 'A Library of The World's
Best Literature.'
THEIR LAST EXCURSION
From 'Making an Omelette': from Lippincott's Magazine, 1871,
copyrighted
In this strange, rude interior, how refined and delicate Louise
looked, with all her dainty appointments of long undressed kid gloves,
jaunty boots, and looped-up petticoat! While I talked to the
wood-cutters she shielded her face from the fire with her hands, and
kept her eye on the butter beginning to sing in the pan.
Suddenly she rose, and taking the pan-handle from the old woman, said,
"Let me help you make the omelette, will you?" The good woman let go
with a smile, and Louise found herself alone, in the attitude of a
fisherman who has just had a nibble. She stood in the full light of
the fire, her eyes fixed on the melted butter, her arms tense with
effort; she was biting her lips, probably in order to increase her
strength.
"It's rather hard on madame's little hands," said the old man. "I bet
it's the first time you ever made an omelette in a wood-cutter's
hut--isn't it, my young lady?"
Louise nodded yes, without turning her eyes from the omelette.
Public-domain text, read in full here on John Shaqi.
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