Library of the World's Best Literature, Ancient and Modern — Volume 12
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Library of the World's Best Literature, Ancient and Modern — Volume 12
Literature -- Collections
He is fortunate who at night, in the heart of a forest, feels as calm
as at his own fireside. You do not tremble, but you feel the silence.
Involuntarily you look for eyes peering out of the darkness, and you
try to define the confused forms appearing and changing every minute.
Something breaks and sounds beneath your tread, and if you stop you
hear the distant melancholy howl of your watch-dog, the scream of an
owl, and other noises, far and near, not so easily explained. A sense
of strangeness surrounds you and weighs you down. If you are alone,
you walk faster; if there are two of you, you draw close to your
companion. My wife clung to my arm.
"Let us turn wood-cutters. We could build a pretty little hut, simple,
but nice enough. I would have curtains to the windows, and a carpet,
and put my piano in one corner." She spoke very low, and occasionally
I felt my hand tremble on her arm.
"You would soon get enough of that, dearest."
"It isn't fair to say so." And in another minute she went on:--"You
think I don't love you, you and our boy? Oh yes, dear, I love you.
Yes, yes, yes! The happiness that comes every day can't be expressed:
we live on it, so we don't think of it. Like our daily bread--who
thinks of that? But when you are thinking of yourself, when you put
your head down, and really think, then you say, 'I am ungrateful, for
I am happy, and I give no thanks for it.' Or when we are alone
together, and walking arm-in-arm, now, at this very moment,--not that
I mean only this moment,--I love you, I love you." She put her head
down on my arm and pressed it earnestly. "Oh," she said, "if I were to
lose you!" She spoke very low, as if afraid. What had frightened her?
The darkness and the forest, or her own words?
She went on:--"I have often and often dreamed that I was saying
good-by to you. You both cried, and I pressed you so close to my heart
that there was only one of us. It was a nightmare, you know, but I
don't mind it, for it showed me that my life was in your lives, dear.
What is that cracking noise? Didn't you see something just in front of
us?"
I answered her by taking her in my arms and folding her to my heart.
We walked on, but it was impossible to go on talking. Every now and
then she would stop and say, "Hush! hark! No, it is nothing."
At last we saw ahead of us a little light, now visible, now hidden by
a tree. It was the lamp set for us in our parlor window. We crossed
the stile and were at home. It was high time, for we were wet through.
I brought a huge log, and when the fire had blazed up we sat down in
the great chimney-place. The poor girl was shivering. I took off her
boots and held her feet to the fire, screening them with my hands.
"Thanks, dear George, thanks!" she said, leaning on my shoulder and
looking at me so tenderly that I felt almost ready to cry.
"What were you saying to me in that horrid wood, my darling?" I asked
her, when she was better.
Public-domain text, read in full here on John Shaqi.
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