Library of the World's Best Literature, Ancient and Modern — Volume 13
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Library of the World's Best Literature, Ancient and Modern — Volume 13
Literature -- Collections
The country I know and love best does not exist for the tourist, and
neither guide nor doctor ever dreams of recommending it. This
reassures me, for I love my country selfishly, exclusively. The land
is ancient, flat, the home of fogs. With the exception of the Polder
_schorres_, the district fertilized by the overflowing of the river,
few districts are cultivated. A single canal from the Scheldt
irrigates its fields and plains, and occasional railways connect its
unfrequented towns.
The politician execrates it, the merchant despises it, it intimidates
and baffles legions of bad painters.
Poets of the boudoir! virtuosi! This flat country will always elude
your descriptions! For you, landscape painters, there is no
inspiration to be gained here. O chosen land, neither thou nor thy
secret can be seen at a glance! The degenerate folk who pass through
this country feel nothing of its healthy, intoxicating charm, or are
only wearied in the midst of this gray peaceful nature, unrelieved by
hill or torrent; and still less sympathy have they with the country
louts who stare at them with placid bovine eyes.
The people remain robust, uncouth, obstinate, and ignorant. No music
stirs me like the Flemish from their lips. They mouth it, drawl it,
linger lovingly over the guttural syllables, while the harsh
consonants fall heavily as their fists. They move slowly, swingingly,
bent-shouldered and heavy-jawed; like bulls, they are at once fierce
and taciturn. Never shall I meet more comely, firm-bosomed lassies,
never see eyes more appealing, than those of this dear land of mine.
Under their blue _kiel_ the brawny lads swagger well content; though
when in drink, if dispute arises, rivalry may drive them into fatal
conflicts. The _tierendar_ ends many a quarrel without further ado;
and as the combatants cut and hack, their faces preserve that dogged
smile of the old Germans who fought in the Roman arenas. During the
kermesses they over-eat themselves, they get drunk, dance with a kind
of _gauche_ solemnity, embrace their sweethearts without much
ceremony, and when the dance is over, gratify themselves with all
manner of excesses.
One and all, they are slow to give themselves away; but once gained,
their affection is unalterable.
Those who depict them thick-set, laughter-loving, misshapen boors, do
not know this race. The Campine peasantry recall rather the brown
shepherd folk of Jordaens than the pot-house scenes by Teniers, a
great man who slandered his Perck rustics.
Public-domain text, read in full here on John Shaqi.
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