Miss Edgeworth was extremely small, not beautiful; but a brilliant talker and a great favorite in the exclusive society to which she everywhere had access. Her greatest success was in the new field opened in her Irish stories, full of racy, rollicking Irish humor, and valuable pictures of bygone conditions, for the genial peasant of her pages is now rarely found. Not the least we owe her is the influence which her national tales had on Sir Walter Scott, who declared that her success led him to do the same for his own country in the Waverley Novels. Miss Edgeworth's style is easy and animated. Her tales show her extraordinary power of observation, her good sense, and remarkable skill in dialogue, though they are biased by the didactic purpose which permeates all her writings. As Madame de Stael remarked, she was "lost in dreary utility." And doubtless this is why she just missed greatness, and has been consigned to the ranks of "standard" authors who are respectfully alluded to but seldom read. The lack of tenderness and imagination was perhaps the result of her unusual self-control, shown in her custom of writing in the family sitting-room, and so concentrating her mind on her work that she was deaf to all that went on about her. Surely some of the creative power of her mind must have been lost in that strenuous effort. Her noble character, as well as her talents, won for her the friendship of many distinguished people of her day. With Scott she was intimate, Byron found her charming, and Macaulay was an enthusiastic admirer. In her recently edited letters are found many interesting and valuable accounts of the people she met in the course of her long life. Miss Edgeworth's life has been written by Helen Zimmern and Grace A. Oliver; her 'Life and Letters,' edited by Augustus J. C. Hare, appeared in 1895. 'Pen Portraits of Literary Women,' by Helen Gray Cone and Jeannette L. Gilder, contains a sketch of her. SIR CONDY'S WAKE From 'Castle Rackrent'