The same may be said in a slightly less degree of Livy and of the best of the late European chroniclers: you have the same freshness, the same vivid perception of external life, the same absence of what philosophers call subjectivity,--the projection into the narrative of the writer's own personality, his opinions, thoughts, and theories. Still, in all of them, however vivid, however vigorous the representation, there is a vein of fiction largely and perhaps consciously intermingled. In a modern work of history, when a statesman is introduced as making a speech, the writer at any rate supposes that such a speech was actually made. He has found an account of it somewhere either in detail or at least in outline or epitome. The boldest fabricator would not venture to introduce an entire and complete invention. This was not the case with the older authors. Thucydides tells us frankly that the speeches which he interweaves with his narrative were his own composition. They were intended as dramatic representations of the opinions of the factions and parties with which Greece was divided, and they were assigned to this person or to that, as he supposed them to be internally suitable. Herodotus had set Thucydides the example, and it was universally followed. No speech given by any old historian can be accepted as literally true unless there is a specific intimation to that effect. Deception was neither practiced nor pretended. It was a convenient method of exhibiting characters and situations, and it was therefore adopted without hesitation or reserve. THE DEATH OF THOMAS BECKET From 'Short Studies on Great Subjects' The knights were introduced. They advanced. The archbishop neither spoke nor looked at them, but continued talking to a monk who was next him. He himself was sitting on a bed. The rest of the party present were on the floor. The knights seated themselves in the same manner, and for a few moments there was silence. Then Becket's black, restless eye glanced from one to the other. He slightly noticed Tracy; and Fitzurse said a few unrecorded sentences to him, which ended with "God help you!" To Becket's friends the words sounded like insolence. They may have meant no more than pity for the deliberate fool who was forcing destruction upon himself.