Library of the World's Best Literature, Ancient and Modern — Volume 15
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Library of the World's Best Literature, Ancient and Modern — Volume 15
Literature -- Collections
"What an opening!" he [the rival poet and playwright] exclaimed, as he
listened to the first dialogue between Don Diego and Simon. "A pretty
way to begin a comedy! The scene a village inn! What can happen of any
interest in a village inn? In all my plays, and they are many,--though
never a one has been represented,--the action opens in a Corinthian
garden, with monumental fountains to the right and left, and a temple
of Juno in the background; or in a wide square with three regiments
drawn up, and in the background the city of Warsaw, with a bridge, and
so forth. And just listen to the twaddle this old man is made to talk!
He is about to marry a young girl who has been brought up by the nuns
of Guadalajara. Well, is that very remarkable? Is not that a matter of
every-day occurrence?"
Pouring out these remarks, that confounded poet did not allow me to
hear a word of the piece, and though I answered all his comments with
humbly acquiescent monosyllables, I only wished that he would hold his
tongue, deuce take him!...
"What a vulgar subject! what low ideas!" he exclaimed, loud enough for
every one to hear. "And this is how comedies are written!"...
"But let us listen to it," said I, finding my chief's comments quite
intolerable. "We can laugh at Moratin afterwards."
"But I cannot bear such a medley of absurdities," he went on. "We do
not come to the theatre to see just what is to be seen any day in the
streets, or in every house you go into. If instead of enlarging on her
matrimonial experiences, the lady were to come in invoking curses on
an enemy because he had killed one-and-twenty of her sons in battle,
and left her with only the twenty-second, still an infant at the
breast, and if she had to carry that one off to save him from being
eaten by the besieged, all dying of famine--then there would be some
interest in the plot, and the public would clap their hands till they
were sore. Gabriel, my boy, we must protest, protest vehemently. We
must thump the floor with our feet and sticks to show that we are
bored and out of patience. Yawn; open your mouth till your jaws are
dislocated; look about you; let all the neighbors see that we are
people of taste, and utterly weary of this tiresome and monstrous
piece."
Public-domain text, read in full here on John Shaqi.
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