Library of the World's Best Literature, Ancient and Modern — Volume 16
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Library of the World's Best Literature, Ancient and Modern — Volume 16
Literature -- Collections
Serlo looked at his sister and said, "Did I give thee a false
picture of our friend? He begins well; he has still many things
to tell us, many to persuade us of." Wilhelm asseverated loudly
that he meant not to persuade but to convince; he begged for
another moment's patience.
"Figure to yourselves this youth," cried he, "this son of
princes; conceive him vividly, bring his state before your eyes,
and then observe him when he learns that his father's spirit
walks; stand by him in the terrors of the night, when the venerable
ghost itself appears before him. A horrid shudder passes
over him; he speaks to the mysterious form; he sees it beckon
him; he follows it, and hears. The fearful accusation of his
uncle rings in his ears; the summons to revenge, and the piercing
oft-repeated prayer, Remember me!
"And when the ghost has vanished, who is it that stands before
us? A young hero panting for vengeance? A prince by
birth, rejoicing to be called to punish the usurper of his crown?
No! trouble and astonishment take hold of the solitary young
[Pg 6431]
man; he grows bitter against smiling villains, swears that he will
not forget the spirit, and concludes with the significant ejaculation:—
"'The time is out of joint: O cursed spite,
That ever I was born to set it right!'
"In these words, I imagine, will be found the key to Hamlet's
whole procedure. To me it is clear that Shakespeare meant, in
the present case, to represent the effects of a great action laid
upon a soul unfit for the performance of it. In this view the
whole piece seems to me to be composed. There is an oak-tree
planted in a costly jar, which should have borne only pleasant
flowers in its bosom; the roots expand, the jar is shivered.
"A lovely, pure, noble, and most moral nature, without the
strength of nerve which forms a hero, sinks beneath a burden
which it cannot bear and must not cast away. All duties are
holy for him; the present is too hard. Impossibilities have been
required of him, not in themselves impossibilities, but such for
him. He winds, and turns, and torments himself; he advances
and recoils; is ever put in mind, ever puts himself in mind; at
last does all but lose his purpose from his thoughts; yet still
without recovering his peace of mind."
Aurelia seemed to give but little heed to what was passing;
at last she conducted Wilhelm to another room, and going to the
window, and looking out at the starry sky she said to him, "You
have still much to tell us about Hamlet; I will not hurry you;
my brother must hear it as well as I; but let me beg to know
your thoughts about Ophelia."
Public-domain text, read in full here on John Shaqi.
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