Library of the World's Best Literature, Ancient and Modern — Volume 16
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Library of the World's Best Literature, Ancient and Modern — Volume 16
Literature -- Collections
On all the chairs in the house, which had been seized and
arranged in rows before the stage, women in low gowns were
squeezed together, mixing their skirts, their lace, the sparkle of
their diamonds, and the whiteness of their shoulders. The folding
doors of the drawing-room had been taken down, and showed,
in the little drawing-room which led to the dining-room, a crowd
of men in white neckties, standing on tiptoe.
The curtain rose upon 'The Caprice.' Renée played with much
spirit the part of Madame de Léry. Henry, as the husband, revealed
one of those real theatrical talents which are often found
in cold young men and in grave men of the world. Naomi herself—carried
away by Henry's acting, carefully prompted by
Denoisel from behind the scenes, a little intoxicated by her audience—played
her little part of a neglected wife very tolerably.
This was a great relief to Madame Bourjot. Seated in the front
row, she had followed her daughter with anxiety. Her pride
dreaded a failure. The curtain fell, the applause burst out, and
all the company were called for. Her daughter had not been
ridiculous; she was happy in this great success, and she composedly
gave herself up to the speeches, opinions, congratulations,
which, as in all representations of private theatricals, followed
the applause and continued in murmurs. Amidst all that she
thus vaguely heard, one sentence, pronounced close by her,
[Pg 6562]
reached her ears clear and distinct above the buzz of general
conversation:—"Yes, it is his sister, I know; but I think that
for the part he is not sufficiently in love with her, and really
too much in love with his wife: did you notice it?" And the
speaker, feeling that she was being overheard by Madame Bourjot,
leaned over and whispered in her neighbor's ear. Madame
Bourjot became serious.
After a pause the curtain went up again, and Henry Mauperin
appeared as Pierrot or Harlequin, not in the traditional
sack of white calico and black cap, but as an Italian harlequin,
with a white three-cornered hat, and dressed entirely in white
satin from head to foot. A shiver of interest ran through the
women, proving that the costume and the man were both charming;
and the folly began.
Public-domain text, read in full here on John Shaqi.
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