Life and Adventure in the South PacificJones, John D.
History
Life and Adventure in the South Pacific
Jones, John D.
Emily Morgan (Ship); Oceania -- Description and travel; Whaling
Notwithstanding the fact that numerous naval vessels belonging to
the United States, England, and France are nearly all the time on
this station, yet the coast and Canton River swarm with Chinese
pirates. The government of China, also, has an armed junk, mounting
twelve guns, stationed on the coast, for the ostensible purpose of
protecting commerce; but it is pretty strongly believed that this
Chinese man-of-war not only winks at the piracies committed, but
is not backward about running up the black flag herself on certain
occasions. About the time we arrived at Hong Kong, a brig bound to
some part of the East Indies was overhauled, before she was clear
of the bay, by a number of fishing-junks, as they professed to call
themselves, and, after massacring nearly all the crew, and wounding
the remainder—leaving them dead, as they supposed—they rifled the
brig, taking away every thing they found of any value. The next
morning she was found in this disabled condition by the Chinese
man-of-war, who took her in tow, and brought her into port. One
of the English men-of-war immediately got under weigh, and, after
cruising among the various islands a few days, overhauled some of
the junks and brought them in. The prisoners were immediately taken
ashore and tried; several were hung, and the remainder imprisoned at
hard labor for the remainder of their lives.
We had heard much of the Chinese theatre, or Sing Song, as they term
it, and concluded we would pay it a visit. The building, which is a
temporary erection, is very large, built of bamboo, and capable of
containing four or five thousand persons. The gallery is large and
commodious, it being built for the accommodation of the “fan-qui-loo”
(foreign devils). The Celestials occupy the pit, and, there being no
seats, they are compelled to stand. To see such a mass of heads, “all
shaven and shorn,” in one compact space, swaying to and fro, and hear
the continual buzz of their voices, is really amusing. And then to
watch them as a policeman goes through the crowd, semi-occasionally
bringing his short club down upon the bare heads of the Chinese,
just heavy enough to make them sing out “Hi-yar-r-h! how can do?
no proper.” Still, they make room for him, not caring to receive a
second whack. After looking at the crowd below us, and wondering
where they all came from, until we became somewhat restless, we were
fairly startled by a most frightful, horrible din. Gongs, bells,
and sundry other equally harmonious instruments were made visible,
and the “orchestra” were beating and playing them as if each were
paid according to the amount of noise he made, and was determined
to win. This horrible _music_, as they termed it, appeared to
increase, until we were obliged to stop our ears with our fingers, to
prevent being entirely deafened. However, it ceased as suddenly as
it commenced, and the performers made their appearance, dressed in
the richest Chinese style. Alter going through a sort of pantomime,
Public-domain text, read in full here on John Shaqi.
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