Life and adventures of "Billy" Dixon of Adobe Walls, Texas panhandle : $b A narrative in which is described many things relating to the early SouthwestDixon, Billy
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Life and adventures of "Billy" Dixon of Adobe Walls, Texas panhandle : $b A narrative in which is described many things relating to the early Southwest
Dixon, Billy
Frontier and pioneer life -- Texas; Frontier and pioneer life -- West (U.S.); Indians of North America -- Wars -- 1866-1895
When I reached the sod house, I was startled at what I saw. There sat
a painted and feathered warrior in a perfectly upright position with
his legs crossed and his head turned to one side in the most natural
way imaginable. His neck was broken and he was as dead as they ever
made 'em. I am bound to admit that I jumped back, fearful that he was
alive and would bore me through and through before I could pull down
on him.
What we had been shooting at so frequently was the dead warrior's
lance, which was covered with webbing and adorned with black feathers
at intervals of every five or six inches. The lance had been stuck
upright in the ground, and had been shot in two, which caused the
feathers to disappear--the upper part had doubled over across the dead
Indian's legs. I added the lance to my "prizes of war."
The object that I had seen crawling along the edge of the tall grass
was the third that demanded my attention. I found a dead Indian lying
flat on his stomach. He was naked, save for a white cloth wrapped
round his hips. His six-shooter was in his belt. The Indian had been
shot through the body, and one knee had been shattered. I could
plainly see the trail he had made by the blood on the grass. A short
distance away lay a shot pouch and a powder horn; there were about
fifteen army cartridges in the pouch. A few steps further, was his
50-caliber needle gun, an army Springfield. Next, were his bow and his
quiver. I confiscated the whole outfit.
One of the noisiest and most active spectators of the fight was a
young crow which some of the hunters had captured shortly after our
arrival at Adobe Walls. The crow had been petted by every man in camp.
All of us were acquainted with the old superstition that the crow is
an omen of death. During the worst of the fight this crow flew from
one building to another, in and out of the open windows, calling "Caw!
Caw! Caw!" in the most dismal way. It would alight on some object in
the room, and sit there calling and cawing until somebody, tiring of
the noise, would shout, "Get out of here, you black rascal!" and then
chase him from the building. The crow would fly to another building
and repeat his performance. Despite the bullets, this crow was never
injured and, save our horses, was the only thing left outside.
Public-domain text, read in full here on John Shaqi.
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