Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
But Gabriella, patiently stitching bias velvet bands on the brim of a
straw hat for the early spring trade, felt that she was sustained
neither by the pleasures of vanity nor by the sounder consolations of
virtue. Her philosophy was quite as simple, if not so material, as
Madame's. Human nature was divided between the victors and the victims,
and the chief thing was not to let oneself become a victim. Her theory,
like those of greater philosophers, was rooted not in reason, but in
character, and she believed in life with all the sanguine richness of
her blood. Of course it was a struggle, but she was one of those vital
women who enjoy a struggle--who choose any aspect of life in preference
to the condition of vegetative serenity. Unhappiness, which is so
largely a point of view, an attitude of mind, had passed over her at a
time when many women would have been consecrated to inconsolable misery.
She was penniless, she was unloved, she was deserted by her husband, she
had lost, in a few weeks, her friends, her home, and her family, and she
faced the future alone, except for her dependent and helpless
children--yet in spite of these things, though she was thoughtful,
worried, and often anxious, she realized that deep down in her the
essential core of her being was not unhappy. When she had tried and
failed, and lost her health and her children--if such sorrows ever came
to her, then there would be time enough for unhappiness. Now, she was
only twenty-seven; the rich, wonderful world surrounded her; and this
world, even if she put love out of her life, was brimming over with
beauty. It was good to be alive; it was good to watch the crowd in the
street, to see the sunlight on the pavement, to taste the air, to feel
the murmurous currents of the city flow around her as she walked home in
the twilight. It was good to earn her bread and to go back in the
evening to the joyful shouts of two well and happy children. She saw it
all as an adventure--the whole of life--and the imperative necessity was
to keep to the last the ardent heart of the true adventurer. While she
stitched with flying fingers, there passed before her the pale sad line
of the victims--of those who had resigned themselves to unhappiness. She
saw her mother, anxious, pensive, ineffectual, with her widow's veil,
her drooping eyelids, and her look of mournful acquiescence, as of one
who had grown old expecting the worst of life; she saw poor Jane,
tragic, martyred, with the feeble virtue and the cloying sweetness of
all the poor Janes of this world; and she saw Uncle Meriweather wearing
his expression of worried and resentful helplessness, as if he had been
swept onward against his will by forces which he did not understand. All
these people were victims, and from these people she had sprung. Their
blood was her blood; their traditions were her traditions; their
religion was her religion; even their memories were her memories. But
Public-domain text, read in full here on John Shaqi.
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