Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
The next day Miss Polly finished the moving, and at six o'clock
Gabriella went home in the Harlem elevated train to the grim,
weather-beaten apartment house on the upper West Side. The pavements, as
Fanny had scornfully observed, were not particularly clean; the air, in
spite of the sharp wind which blew from the river, had a curiously
stagnant quality; and the rumble of the elevated road, at the opposite
side of the house, reached her in a vibrating undercurrent which was
punctuated now and then by the staccato cries of the street. The house,
which had been built in a benighted and spacious period, stood now as an
enduring refuge for the poor in purse but proud in spirit. A few studios
on the roof were still occupied by artists, while the hospitable
basement sheltered a vegetable market, a corner drug-store, a
fruit-stand, and an Italian bootblack. Within the bleak walls, from
which the stucco had peeled in splotches, the life of the city had ebbed
and flowed for almost half a century, like some deep wreck-strewn
current which bore the seeds of the future as well as the driftwood of
the past on its bosom. One might never have set foot outside those
gloomy doors and yet have seen the whole of life pass as in a vivid
dream through the dim halls, lighted by flickering gas and carpeted in
worn strips of brown carpet. And once inside the apartments one might
have found, sometimes, cheerfulness, beauty of line and colour, and a
certain spaciousness which the modern apartment house, with its rooms
like closets, its startling electricity, and its more hygienic
conditions of living, could not provide. It was because she could find
space there that Gabriella, guided by Miss Polly, had rented the rooms.
She passed the drug-store and the fruit-stand, entered the narrow hail,
where a single gas-jet flickered dimly beside the door of the elevator,
and after touching the bell, stood patiently waiting. After a time she
rang again, and presently, with deliberate ease and geniality, the negro
who worked the elevator descended slowly, with a newspaper in his hand,
and opened the door for her.
"Good evening, Robert," she said pleasantly, for he also was from
Virginia, and the discovery of the bond between them had given Gabriella
a feeling of confidence. Like Miss Folly, she had never become entirely
accustomed to white servants.
The ropes moved again, the elevator ascended perilously to the fifth
floor, and Gabriella walked quickly along the hall, and slipped her
latchkey into the keyhole of the last apartment. As the door opened, a
woman in worn black came out and spoke to her in passing. She was the
old maid of Miss Folly's narrative, and her face, ardent, haggard, with
the famished look which comes from a starved soul, gazed back at
Gabriella with a touching expression of admiration and envy. There were
spots of vivid colour in her cheeks, and this brightness, combined with
her gray hair, gave her a theatrical and artificial appearance.
Public-domain text, read in full here on John Shaqi.
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