Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
"My darling, you want to keep your mother, don't you?"
"I jolly well do. What's the trouble, mother? I believe it's all that
sitting up over Fanny's old dresses. Why don't you make something pretty
for yourself?"
"She has to have things, and you love me just as well without them,
don't you?"
"But I want you to have them, too. I like you to look pretty, and you
are pretty."
"Then I can look pretty in plain clothes, can't I?"
"I tell you what I am going to do," he hesitated a minute, knitting his
heavy brows over his spectacles, which looked so odd on a boy. "Next
summer when school is over I'm going to work and make some money so you
can have a velvet dress in the autumn--a black velvet dress with lace on
it--lots of lace--and a hat with feathers."
"You foolish boy!" laughed Gabriella. "Do you think for an instant I'd
let you?" Her voice was gay, but when he had broken away from her clasp,
and was racing along the hail for his school books, she turned aside to
wipe the tears from her eyes.
"It's wrong, but I love, him more than I love Fanny," she said. "I love
him more than all the rest of the world.".
An hour later, sitting beside an Italian labourer in an elevated train,
she tried hard to keep her mind on the day's work and on the morning
paper, which she held open before her--for in adopting a business life
she had adopted instinctively a man's businesslike habits. A subtle
distinction divided her from the over-dressed shopgirls around her as
completely as her sex separated her from the portly masculine
breadwinner in the opposite seat. Her tailored suit of black serge, with
its immaculate white collar and cuffs, had an air of charming
simplicity, and the cameolike outline of her features against the
luminous background of the window-pane was the aristocratic racial
outline of the Carrs. In the whirlpool of modern business she still
preserved the finer attributes which Nature had bred in her race. The
bitter sweetness of the mother's inheritance, grafted on the hardy stock
of the Carr character, had flavoured without weakening the daughter's
spirit, and, though few of the men in the train glanced in the direction
of Gabriella, the few who noticed her in her corner surmised by
intuition that she possessed not only the manner, but the heart of a
lady. She was not particularly handsome, not particularly young, and her
charm was scarcely the kind to flash like a lantern before the eye of
the beholder. To the portly breadwinner she was probably a nice-looking
American business woman, nothing more; to the Italian labourer she was,
doubtless, a lady with a pleasant face, who would be polite if you asked
her a question; and to the other passengers she must have appeared
merely a woman reading her newspaper on her way down to work. Her primal
qualities of force, restraint, and capability were the last things these
superficial observers would have thought of; and yet it was by these
Public-domain text, read in full here on John Shaqi.
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