Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
Her cheeks flushed while she talked, and, for the moment, she lost
entirely her resemblance to Jane, who was never animated, though she
made a perpetual murmurous sound. Unlike Jane, Fanny was vivacious,
pert, and, for her years, extraordinarily sophisticated. Already she
dressed with extreme smartness; already she was thinking of men as of
possible lovers; and already she was beginning, in her mother's phrase,
"to manage her life." Her trite little face, in its mist of golden hair,
which she took hours to arrange, still reminded one of the insipid angel
on a Christmas card; but in spite of the engaging innocence of her look,
she was prodigiously experienced in the beguiling arts of her sex.
Almost from the cradle she had had "a way" with men; and her "way" was
as far superior in finesse to the simple coquetry of Cousin Pussy as the
worldliness of Broadway was superior to the worldliness of Hill Street.
From her yellow hair, which she wore very low over her forehead and
ears, to her silk stockings of the gray called "London smoke," which
showed coquettishly below her "hobble" skirt, and above the flashing
silver buckles on her little pointed shoes of; patent leather, Fanny was
as uncompromisingly modern in her appearance as she was in her tastes or
her philosophy. Her mind, which was small and trite like her face, was
of a curiously speculative bent, though its speculations were directed
mainly toward the by-paths of knowledge which Gabriella, in her busy
life, had had neither the time nor the inclination to explore. For Fanny
was frankly interested in vice with the cool and dispassionate interest
of the inquiring spectator. She was perfectly aware of the social evil;
and unknown to Gabriella she had investigated, through the ample medium
of the theatre and fiction, every dramatic phase of the traffic in white
slaves. Her coolness never deserted her, for she was as temperamental as
a fish, and, for all the sunny white and gold of her surface, she had
the shallow restlessness of a meadow brook. At twelve years of age she
had devoted herself to music and had planned an operatic career; at
fourteen, she had turned to literature, and was writing a novel; and a
year later, encouraged by her practical mother, she had plunged into the
movement for woman suffrage, and had marched, in a white dress and
carrying a purple banner, through an admiring crowd in Fifth Avenue.
To-day, after a variable period, when she had dabbled in kindergarten,
wood engraving, the tango, and settlement work, she was studying for
the stage, and had fallen in love with a matinée idol. Gabriella, who
had welcomed the wood engraving and the kindergartening and had been
sympathetically, though impersonally, aware of the suffrage movement,
just as she had been aware many years before of the Spanish War, was
deeply disturbed by her daughter's recent effervescence of emotion.
Public-domain text, read in full here on John Shaqi.
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