Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
"Oh, mother, are they upstairs? I'll run up and see them!" cried,
Archibald delightedly. "I thought they were all in the trunks."
Darting past her in a flash, he bounded up the staircase, while
Gabriella stood facing O'Hara, who had risen and thrown away his cigar
at her entrance. The room was still fragrant with tobacco; there was a
light cloud of smoke over the mignonette in the window box, and beyond
it, she could see the dim foliage of the elm tree waving over the
flagged walk to the gate. With an eye trained to recognize the value of
details, she saw that the sitting-room was furnished with the same
deplorable taste which had selected the golden-oak hatrack and the
assortment of ornamental walking-sticks. The woodwork had been stained
to match the oak of the barbarous writing-table, which held a distorted
bronze lamp, with the base composed of a heavily draped feminine figure,
a massive desk set, also of bronze, a pile of newspapers, a dictionary,
and several dull-looking books with worn covers and dog's eared pages.
She noticed that the chairs were all large and solid, with deep arms and
backs upholstered in red leather, which looked as if it would never wear
out, that the rug was good, and that, except for a few meretricious oil
paintings on the greenish walls, the room was agreeably bare of
decoration. After her first hesitating glance, she surmised that a
certain expensive comfort was the end sought for and achieved, and that
in the furnishing beauty had evidently been estimated in figures.
"Mr. O'Hara," she began firmly, "I wish you would not take my son away
from me."
He did not lower his gaze, and she saw, after an instant in which he
appeared merely surprised, a look of amusement creep into his expressive
eyes. Within four walls, in his light summer clothes, with the gauzy
drift of tobacco smoke over his head, he looked larger and more
irrepressibly energetic than he had done out of doors.
"I am sorry you feel that way," he returned very slowly after a pause.
Already she had discovered that he had great difficulty with his words
except when he was stirred by excitement into self-forgetfulness. At
other times he seemed curiously inarticulate, and she saw now that,
while she waited for his answer, he was groping about in his mind for a
suitable phrase in which to repel her accusation.
"I appreciate your interest in him," she resumed smoothly, "but he is
with you too much. I do not know you. I know nothing in the world about
you."
"Well--" Again he hesitated as if over an impediment in his speech.
Then, finding with an effort the words he needed, he went on more
easily: "If there's anything you'd like to know, I guess you can ask
me."
Public-domain text, read in full here on John Shaqi.
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