Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
By a miracle of memory her resentment was swept out of her thoughts, and
she was conscious of an infinite pity. In George's face, while she
watched it, there flickered back for an instant the glory of that
enchanted spring when she had first loved him. Of his brilliant promise,
his ardent youth, there remained only this fading glimmer in the face of
a man who was dying. And it seemed to her suddenly that she saw embodied
in this wreck of youth and love all the inscrutable mystery not of
death, but of life. Her tears fell quickly, and while they fell O'Hara's
grasp enfolded her hand.
"It's over now. The best thing that could happen to him has happened,"
he said, and the touch of his hand was like the touch of life itself,
consoling, strengthening, restoring.
In the days that followed it was as if the helpful spirit of Cousin
Jimmy had returned to her in the unfamiliar character of O'Hara. The
ghastly details of George's burial were not only taken out of her hands,
she was hardly permitted to know even that they were necessary. All
explanations were made, not by her, but by O'Hara; and when they
returned together from the cemetery, Gabriella brought with her a
feeling that she had been watching something that belonged to O'Hara
laid in the earth. But when she tried to thank him, she found that he
was apparently unaware that he had done anything deserving of gratitude.
"Oh, that's nothing. Anybody would have done it," he remarked, and
dismissed the subject forever.
For a week after this she did not see him again; and then one Saturday
afternoon, when she was leaving Dinard's, they met by chance and walked
home together. It was the first time she had been in the street with
him, and she was conscious of feeling absurdly young and girlish--she,
the mother of a daughter old enough to have love affairs! A soft
flush--the flush of youth--tinted her pale cheek; her step, which so
often dragged wearily after the day's work, was as buoyant as Fanny's;
and her low, beautiful laugh was as gay as if she were not burdened by
innumerable anxieties. As they passed a shop window, her reflection
flashed back at her, and she thought happily: "Yes, it is true, you are
better looking at thirty-seven, Gabriella, than you were at twenty."
"Shall we walk down?" asked O'Hara, and added: "So that was your shop? I
am glad that I saw it. But what do you do there all day?"
She laughed merrily. "Put in pins and take them out again. Design,
direct, scold, and flatter. We are getting in the spring models now,
and it's very exciting."
He glanced down at her figure, noting, as if for the first time, the
narrowness at the feet, the large loose waist, and the bunchiness around
the hips.
"Did you make that?" he inquired.
"This coat? Oh, no; it came from Paris. It was left on my hands," she
explained, "or I shouldn't be wearing it. I wear only what people won't
buy, you know."
Public-domain text, read in full here on John Shaqi.
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