Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
"No, you cannot do anything for me, Florrie." Though Gabriella's voice
was crisp and firm, her face looked suddenly older, and little lines,
stamped by weariness and regret, appeared at the corners of her still
brilliant eyes. "I don't wish you any harm," she went on more softly.
"If you were in trouble I'd do what I could for you, but somehow I don't
seem able to forgive you for being what you are. Would you like to look
at anything else?" she inquired in her professional tone. "Miss Murphy
is waiting to show you some hats."
Her cheeks were burning when she passed out of the ivory and gold door,
saluted deferentially by the attendant in livery. "The effrontery!" she
thought, "the barefaced effrontery!" and then, as her eyes fell on
Florrie's trim little electric coupé beside the curb, she exclaimed
mentally, recalling George's animated perplexity about the pearl
necklace, "I wonder how in the world she does it?"
The meeting with Florrie appeared to her, as she walked home that
afternoon, to be the last touch needed to push her into a state of utter
despondency. The oppressive languor of the day had exhausted her
strength, and when she left Dinard's she felt too indifferent, too
spiritless even for the drive in the Park. It was still light when she
got out of the stage at Twenty-third Street, and while she strolled
listlessly down the blocks on the West Side, she had again that curious
sensation of smothering which had come to her after her talk with
O'Hara.
At the corner of Sixth Avenue a young Italian, with the face of a poet,
was roasting peanuts in a little kerosene stove beside a flickering
torch which enkindled the romantic youth in his eyes. Farther away some
ragged children were dancing to the music of a hand-organ, which ground
out a melancholy waltz; and from a tiny flower stall behind the stand of
a bootblack there drifted the intense sweetness of hyacinths. An old
negro, carrying a basket of clothes, passed her in the middle of the
block, and she thought: "That might have been in Richmond--that and the
hand-organ and the perfume of hyacinths." A vision of Hill Street
floated before her--the long straight street, with the sudden drop of
ragged hill at the end; the old houses, with crumbling porches and
countless signs: "Boarders Wanted" in the windows between the patched
curtains; the irregular rows of tulip poplar, elm, or sycamore trees
throwing their crooked shadows over the cobblestones; the blades of
grass sprouting along the edges of the brick pavement--the vision of
Hill Street as she remembered it twenty years ago in her girlhood; and
then the image of her mother's face gazing out beneath the creamy
blossoms and the dark shining leaves of the old magnolia tree.
"Everything must have changed, I'd hardly recognize it," she thought.
"Nobody we know lives on that side now, mother says. Yes, it has been a
long time." She sighed, and then a little laugh broke from her lips, as
Public-domain text, read in full here on John Shaqi.
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