Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
"Well, if she can find a change that isn't for the better, I hope she'll
point it out and let me make a note of it," boasted Charley, with
hilarity. "I tell you what, Gabriella, my dear, we're becoming a number
one city. Everything's new. We haven't left so much as an old brick
lying around if we could help it. If you were to go back there to Hill
Street, you'd scarcely know it for the hospitals and schools we've got
there, and as for this part of the town--well, I reckon the apartment
houses will fairly take your breath away. Apartment houses! Well, that's
what I call progress--apartment houses and skyscrapers, and we've got
them, too, down on Main Street. I'll show them to you to-morrow. Yes,
by George, we're progressing so fast you can hardly see how we grow.
Why, there wasn't a skyscraper or an apartment house in the city when
you left here, and precious few hospitals. But now--well, I'll show you!
We're the hospital city of the South, and more than that, we're becoming
a metropolis. Yes, that's the word--we're becoming a metropolis. If you
don't believe me, just watch as we go up Franklin Street to Monument
Avenue. I suppose you thought of us still as a poor folksy little
Southern city, with a lot of ground going to waste in gardens and green
stuff. Well, you just wait till you see Monument Avenue. It's the
handsomest boulevard south of Washington. It's all new, every brick of
it. There's not a house the whole way up that isn't as fresh as paint,
and the avenue is just as straight as if you'd drawn it with a ruler--"
But the change in the city, Gabriella reflected while she embraced Jane,
was as nothing compared to the incredible change in Charley himself.
Middle-age had passed over him like some fattening and solidifying
process. He was healthy, he was corpulent, he was prosperous,
conventional, and commonplace. If Gabriella had been seeking, with
Hogarthian humour, to portray the evils of torpid and self-satisfied
respectability, she could scarcely have found a better picture of the
condition than Charley presented. And the more Charley expanded, the
more bloodless and wan Jane appeared at his side. Her small, flat face
with its yellowish and unhealthy tinge, its light melancholy eyes, and
its look of lifeless and inhuman sanctification, exhaled the dried
fragrance of a pressed flower. So disheartening was her appearance to
Gabriella that it was a relief to turn from her to the freshness of
Margaret, handsome, athletic, with cheeks like roses and the natural
grace of a young animal.
"Oh, Aunt Gabriella, I hadn't any idea you were like this!" cried the
girl with naïve enthusiasm.
"You thought of me as gray-haired and wearing a bonnet and mantle?"
"No, not that, but I didn't dream you were so handsome. I thought mother
was the beauty of the family. But what a wonderful dress you have on!
Are they wearing all those flounces around the hips?"
Public-domain text, read in full here on John Shaqi.
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