Now if we take the most parallel case to this which we can find, and
consider what we should ourselves do under such circumstances, that is to
say, if we consider what course is actually taken by beings who are
influenced by what we all call memory, when they repeat an already
often-repeated performance, and if we find a very strong analogy between
the course so taken by ourselves, and that which from whatever cause we
observe to be taken by a living germ, we shall surely be much inclined to
think that there must be a similarity in the causes of action in each
case; and hence, to conclude, that the action of the germ is due to
memory.
It will, therefore, be necessary to consider the general tendency of our
minds in regard to impressions made upon us, and the memory of such
impressions.
Deep impressions upon the memory are made in two ways, differing rather
in degree than kind, but with two somewhat widely different results.
They are made:—
I. By unfamiliar objects, or combinations, which come at comparatively
long intervals, and produce their effect, as it were, by one hard blow.
The effect of these will vary with the unfamiliarity of the impressions
themselves, and the manner in which they seem likely to lead to a further
development of the unfamiliar, _i.e._, with the question, whether they
seem likely to compel us to change our habits, either for better or
worse.
Thus, if an object or incident be very unfamiliar, as, we will say, a
whale or an iceberg to one travelling to America for the first time, it
will make a deep impression, though but little affecting our interests;
but if we struck against the iceberg and were shipwrecked, or nearly so,
it would produce a much deeper impression, we should think much more
about icebergs, and remember much more about them, than if we had merely
seen one. So, also, if we were able to catch the whale and sell its oil,
we should have a deep impression made upon us. In either case we see
that the amount of unfamiliarity, either present or prospective, is the
main determinant of the depth of the impression.
As with consciousness and volition, so with sudden unfamiliarity. It
impresses us more and more deeply the more unfamiliar it is, until it
reaches such a point of impressiveness as to make no further impression
at all; on which we then and there die. For death only kills through
unfamiliarity—that is to say, because the new position, whatever it is,
is so wide a cross as compared with the old one, that we cannot fuse the
two so as to understand the combination; hence we lose all recognition
of, and faith in, ourselves and our surroundings.
Public-domain text, read in full here on John Shaqi.
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