Life and Letters of Robert BrowningBrowning, Robert
General
Life and Letters of Robert Browning
Browning, Robert
Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
have had a man flogged who beat his wife; he would have had one flogged
who ill-used a child--or an animal: he was notedly opposed to any
sweeping principle or practice of vivisection. But he never quite
understood that the strongest women are weak, or at all events
vulnerable, in the very fact of their sex, through the minor traditions
and conventions with which society justly, indeed necessarily,
surrounds them. Still less did he understand those real, if impalpable,
differences between men and women which correspond to the difference
of position. He admitted the broad distinctions which have become
proverbial, and are therefore only a rough measure of the truth. He
could say on occasion: 'You ought to _be_ better; you are a woman; I ought
to _know_ better; I am a man.' But he had had too large an experience of
human nature to attach permanent weight to such generalizations; and
they found certainly no expression in his works. Scarcely an instance of
a conventional, or so-called man's woman, occurs in their whole range.
Excepting perhaps the speaker in 'A Woman's Last Word', 'Pompilia' and
'Mildred' are the nearest approach to it; and in both of these we
find qualities of imagination or thought which place them outside the
conventional type. He instinctively judged women, both morally and
intellectually, by the same standards as men; and when confronted by
some divergence of thought or feeling, which meant, in the woman's case,
neither quality nor defect in any strict sense of the word, but simply
a nature trained to different points of view, an element of perplexity
entered into his probable opposition. When the difference presented
itself in a neutral aspect, it affected him like the casual
peculiarities of a family or a group, or a casual disagreement between
things of the same kind. He would say to a woman friend: 'You women are
so different from men!' in the tone in which he might have said, 'You
Irish, or you Scotch, are so different from Englishmen;' or again, 'It
is impossible for a man to judge how a woman would act in such or such
a case; you are so different;' the case being sometimes one in which
it would be inconceivable to a normal woman, and therefore to the
generality of men, that she should act in any but one way.
The vague sense of mystery with which the poet's mind usually invests
a being of the opposite sex, had thus often in him its counterpart in
a puzzled dramatic curiosity which constituted an equal ground of
interest.
Public-domain text, read in full here on John Shaqi.
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