Life and Letters of Robert BrowningBrowning, Robert
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Life and Letters of Robert Browning
Browning, Robert
Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
'Browning's message is an integral part of himself as writer; (whether
as poet, since we agree that he is a poet, were surely a too curious
and vain discussion;) but some of his finest things assuredly are the
outcome of certain very definite personal convictions. "The question,"
Mr. Sharp says, "is not one of weighty message, but of artistic
presentation." There seems to be no true contrast here. "The primary
concern of the artist must be with his vehicle of expression"--no--not
the primary concern. Since the critic adds--(for a poet) "this vehicle
is language emotioned to the white heat of rhythmic music by impassioned
thought or sensation." Exactly--"thought" it may be. Now part of this
same "thought" in Browning is the message. And therefore it is part of
his "primary concern". "It is with presentment," says Mr. Sharp, "that
the artist has fundamentally to concern himself." Granted: but it must
surely be presentment of _something_. . . . I do not understand how
to separate the substance from the form in true poetry. . . . If the
message be not well delivered, it does not constitute literature. But
if it be well delivered, the primary concern of the poet lay with the
message after all!'
More cogent objection has been taken to the character of the 'message'
as judged from a philosophic point of view. It is the expression or
exposition of a vivid a priori religious faith confirmed by positive
experience; and it reflects as such a double order of thought, in which
totally opposite mental activities are often forced into co-operation
with each other. Mr. Sharp says, this time quoting from Mr. Mortimer
('Scottish Art Review', December 1889):
'His position in regard to the thought of the age is paradoxical, if not
inconsistent. He is in advance of it in every respect but one, the most
important of all, the matter of fundamental principles; in these he
is behind it. His processes of thought are often scientific in their
precision of analysis; the sudden conclusion which he imposes upon them
is transcendental and inept.'
Public-domain text, read in full here on John Shaqi.
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