I used always to admire the simple and business-like way in which Huxley made his entry on great occasions. He hated anything like display, and would have none of it. At the Royal Institution, more than almost anywhere else, the lecturer, on whom the concentric circles of spectators in their steep amphitheatre look down, focuses the gaze. Huxley never seemed aware that anybody was looking at him. From self-consciousness he was, here as elsewhere, singularly free, as from self-assertion. He walked in through the door on the left, as if he were entering his own laboratory. In these days he bore scarcely a mark of age. He was in the full vigour of manhood and looked the man he was. Faultlessly dressed--the rule in the Royal Institution is evening costume--with a firm step and easy bearing, he took his place apparently without a thought of the people who were cheering him. To him it was an anniversary. He looked, and he probably was, the master. Surrounded as he was by the celebrities of science and the ornaments of London drawing-rooms, there was none who had quite the same kind of intellectual ascendancy which belonged to him. The square forehead, the square jaw, the tense lines of the mouth, the deep flashing dark eyes, the impression of something more than strength he gave you, an impression of sincerity, of solid force, of immovability, yet with the gentleness arising from the serene consciousness of his strength--all this belonged to Huxley and to him alone. The first glance magnetised his audience. The eyes were those of one accustomed to command, of one having authority, and not fearing on occasion to use it. The hair swept carelessly away from the broad forehead and grew rather long behind, yet the length did not suggest, as it often does, effeminacy. He was masculine in everything--look, gesture, speech. Sparing of gesture, sparing of emphasis, careless of mere rhetorical or oratorical art, he had nevertheless the secret of the highest art of all, whether in oratory or whatever else--he had simplicity. The force was in the thought and the diction, and he needed no other. The voice was rather deep, low, but quite audible, at times sonorous, and always full. He used the chest-notes. His manner here, in the presence of this select and rather limited audience--for the theatre of the Royal Institution holds, I think, less than a thousand people--was exactly the same as before a great company whom he addressed at [Liverpool], as President of the British Association for the Advancement of Science. I remember going late to that, and having to sit far back, yet hearing every word easily; and there too the feeling was the same, that he had mastered his audience, taken possession of them, and held them to the end in an unrelaxing grip, as a great actor at his best does. There was nothing of the actor about him, except that he knew how to stand still, but masterful he ever was.