“That day, and the next, were killing days for me.” Lillian remembered.
“From eight-thirty in the morning, in the sun and dust, making scenes
and bits that were a part of the great eruption; then back to the
studio, and after a bath, make-up and costume, the great scene where
Angela takes the veil. I should have been in perfect condition for that
scene, and I was in about the worst possible. We kept at it steadily
through the night, until nine-thirty next morning, twenty-five hours at
a stretch, without sleep. Then I was allowed two hours and a half of
rest. I slept some of it, but right away jumped into work again, and
kept at it until eleven that night, when I was put into an automobile
with Mrs. Kratsch and motored to Florence, stopping for a brief rest at
Orvieto.
“At Florence I saw the studio, costumes, sets, etc., that had been
partly arranged for, to be used in ‘Romola,’ which we were going to do
the following winter. Nobody works harder than motion picture players—in
the heat and glare of blazing lights, in all kinds of weather—twelve,
fifteen, twenty-four hours on end.
“From Florence to Paris, and to Cherbourg. On the ship, I got into a
cabinet bath, and then went to bed. I did not know when we sailed, and I
slept the clock twice around without a break. I started with a terrible
cold, but the bath and the rest cured it.
“We had begun ‘The White Sister’ in November, and it was now June. In
New York King and I worked at the cutting, all through the summer, until
the last of August, getting twelve reels ready for the big theatres. At
the same time we were putting ‘Romola’ into shape to picture. King
presently went back to Italy to begin work on it, while I remained to
cut ‘The White Sister’ down to nine reels, for the road, a difficult and
anxious job.”
* * * * *
“The White Sister” made its first appearance, “World’s Premiere,” at the
44th Street Theatre, New York City, Wednesday evening, September 5,
1923. There was a special souvenir program, tied with a blue cord, with
Lillian’s picture on the outside and a message from Doug and Mary
within.
Public-domain text, read in full here on John Shaqi.
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