I happened to be among the fortunate, and was soon gowned in a
lovely costume of hideous brown serge and a gray flannel cape. The
keepers of the M-G-M wardrobe are the nicest wardrobe women in
Hollywood, but even their elastic patience is tried on days when
the picture and scene require a mediocre costuming of extras.
Their sympathetic ears are deafened with cries of:
“But, Mother Coulter, I _can’t_ wear this—why, it’s awful! Can’t I
at least have a pretty cape to cover up this horror?” “Mrs. Piper,
you wouldn’t make me actually wear such an ugly dress!” Each feels
that anything less than the very best is not her type.
But today we were Parisiens of precarious means, offering up the
old wedding ring and Grandfather’s stick-pin in a dingy little
pawnshop in the Latin Quarter.... The magician, Sartov, Miss
Gish’s special camera-man, sat on his high stool by the camera,
pulling placidly at his meerschaum pipe. The last touches were
being applied to the dreary little set.... Miss Gish was called,
and we made our first acquaintance with Mimi. Such a sad and
thread-bare little Mimi ... faint shadows hollowed her cheeks, and
her eyes were haggard with fatigue and hunger. In her arms was
clasped a poor bundle which she timidly offered up. The coin
thrust at her was too small, and with tears in her eyes and
quivering lips, she tenderly placed her shabby, moth-eaten little
muff on the counter. The orchestra breathed faintly one of Mimi’s
gentle laments—oh, the pitiful little Mimi! I fumbled blindly for
a handkerchief, feeling I couldn’t stand it any longer without
doing something about it—anything to allay the misery of that
wistful face.
When the camera stopped, she peeped around it, the tears still
shining in her eyelashes.
“Was that all right, Mr. Vidor? Or shall we try it again?”
“Well, let’s try it this way, too, and see how it looks,” in Mr.
Vidor’s soft, lazy Southern accent.
So Mimi is unhappy this way and that way and several other ways,
until she receives her scanty loan and turns slowly and goes out
of the door. That was all of Mimi, for that time.
When next we saw her, it was at a picnic in the woods of “Ville
D’Avray” ... a place of orange groves at the foot of mountains
that stretch up into the lofty snow fields.
In a grassy meadow, sheltered by oak trees, the picnic was spread.
Miss Gish’s town car, with its shades drawn, was already parked at
one side. Through the back window of an expensive coupé, a black
head swathed in a towel indicated the transformation of John
Gilbert into Rodolphe....
When Miss Gish stepped out of her car and began to work, it was
like the arrival of a limpid, fragrant wood elf, so exquisite was
her costume and so beautiful was she herself....
Public-domain text, read in full here on John Shaqi.
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