“You looked young, certainly, but not too young for Hester—that Hester.
Of course, the real Hester—supposing there ever was one—was not at all
your Hester. She was less—more—what the others were.”
She assented, a little doubtfully. I stumbled on:
“If I might offer a humble opinion, you did not turn Lillian Gish into
Hester Prynne; you turned Hester Prynne into something—well—something
more exquisite.”
“Some of the critics didn’t think so; they said——”
“I know the things they said. I have those scrapbooks, where you
carefully preserved all the worst ones. A critic—a young critic—does not
think he is doing his duty unless he puts a little sting into what he
writes. The cup he offers must have its drop of hemlock, even when he
proffers it on bended knee.”
* * * * *
“La Bohême” and “The Scarlet Letter” were popular abroad. From Europe,
from the farthest East, the letters came. Oriental young men, in
exquisite calligraphy and quaint phrase, told her how she was adored,
begged for a photograph, a written line. Some suggested pictures they
hoped she would do—“Joan of Arc” among them.
VII
“THE FIRST LADY OF THE SCREEN”
During Lillian’s absence in England, a scenario for a new picture bad
been prepared for her, based on the song of “Annie Laurie,” believed to
have a wide human appeal. All the sets were ready, the costumes had only
to be fitted. The day of her arrival, Lillian went to the studio, and
next day began on the scenes. Lillian and Miss Moir agree that it was a
fearfully hot summer, and that the velvet costumes for Annie weighed
fifteen pounds each. Lillian did not care much for the story, and cared
for it a good deal less when she learned that Bonnie Annie Laurie, for
whom someone had been ready to lie down and die, had, in her later
years, turned into an old gossip. Of course, in the picture, her lover
is a member of another clan, and there is the usual treachery, with a
great deal of confused fighting, and struggling through artificial snow
which, in that deadly heat, just about blistered your fingers when you
touched it. But Lillian was faithful, and did her sweltering best.
One Sunday, Miss Moir, thinking how much it would be appreciated by the
company, “on location,” drove out there with several gallons of
ice-cream. Unfortunately, that day, rehearsal broke up early. She met
Lillian on the road, but two girls couldn’t eat all those gallons of
cream, and for some reason the rest of the company failed to
materialize. They tried to give the surplus away, to passersby, but when
several had haughtily refused, they dropped the rest into a ditch.
Public-domain text, read in full here on John Shaqi.
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