“We got to Phoenix, Arizona, about five, starved, and went to the beautiful hotel. They lodged us all in one bungalow, and immediately we called loudly for tea and sandwiches. We spent the night there, left around nine, next morning. We flew to Grand Canyon—not really to the Canyon, but to the nearest flying field, and drove to the Canyon by motor. There we took a long walk along the rim, and looked down on the Canyon in the evening light, one of the strangest and loveliest and most impressive sights in the world—really sublime. “Next morning, we motored back to the plane and headed Westward. We got hungry, but there seemed no good place to stop for luncheon. All we could see were poor little Mexican or Indian villages, in the desert. Finally, we got to Las Vegas, and after luncheon flew homeward, over the mountains we had been unable to cross when we started, dropping down into the San Fernando Valley at sunset, as on a magical flying carpet. We had had four beautiful days. We did not see much of the war, though at one place in Mexico we saw smoke, and thought we heard the sound of distant firing. Douglas had believed it unwise to go any nearer. We might be taken for spies, and pursued—even brought down. After all, war was not what we really cared to see.” XIII “ONE ROMANTIC NIGHT” It is difficult to realize the size of the catastrophe resulting from the sudden production of talking pictures, even of pictures with “sound effects,” as many of them were, at first. Some of them really talked—better, or worse, than others. No matter; every picture theatre in New York, and most of them on the road, were presently being “wired for sound.” All the millions (possibly billions) of dollars’ worth of silent pictures, shrunk in value at a ghastly rate. The Eastern Hemisphere, the only market for them presently, was comparatively unimportant. Hundreds of pictures were useless; picture players found themselves “out of a job.” Stars began to pale and disappear. On the other hand, ill as was the wind, it dispensed benefits. Stage players out of employment found market for their trained speech. Their feet warmed the way to Hollywood. A good many were already there. As the months passed, the screen showed more of the old familiar faces. Broadway to the rescue. Even the great succumbed. George Arliss, master of diction, joined the procession, Ruth Chatterton—eventually, Lillian. Not willingly. She still believed in the silent film. She had objected even to the lip movement, the simulated speech insisted upon by the directors. To her, the perfect picture must be pure pantomime—with music—appropriate music, as in “Broken Blossoms.” It would never be that, now. Beautiful Evelyn Hope was dead. There is no help for such things. Tears, idle tears. Since the beginning of time, grief has never repaired a single loss. One might as profitably wail over the sunken Atlantis.