But then came an opportunity such as she had hoped for: One day, George
Jean Nathan spoke to her of the actress Ruth Gordon, of how much Lillian
would like her.
“Couldn’t you arrange a meeting?” she asked.
He could, and did. He asked them both to tea, at the Colony Restaurant.
Lillian was not disappointed in Ruth Gordon. They had one love in
common: France. They talked a great deal about that pleasant land, its
beauties, its castles, its wines—especially its wines—one of which in
particular, they both loved, Clos Veugeot. Ruth Gordon said:
“And I know a man who has the same taste: Jed Harris, the theatrical
producer.”
Someone proposed: “We must try to get a bottle. The first one of us who
finds it, to give a dinner, and invite Mr. Harris.”
Said Lillian, remembering:
“But of course no one could get a bottle of Clos Veugeot, any more. One
day, Ruth telephoned that she had a bottle of Rhine wine, and that Mr.
Harris loved that, too. So we had a small dinner in her apartment, with
Rhine wine and strawberry ice-cream. For the first time, I heard Jed
Harris talk. I thought I had never heard anyone like him. It seemed to
me that he knew the theatre as no one I had ever met. Later, when I went
with Ruth to get my hat, I said: ‘Ruth, he’s wonderful! I’d work for
such a man for nothing.’ Ruth agreed. She had worked for him in ‘Serena
Blandish,’ and told me how fine he had been.
“A few weeks later, George Nathan called up to say that Jed Harris had a
part for me: ‘That’s splendid,’ I said, ‘but do you think I could do
it?’
“‘Of course. It’s Helena, in Chekhov’s “Uncle Vanya.”’
“I said I would read it over at once, and see if I could do it. I adored
Chekhov, and had a volume of his plays, but it didn’t contain ‘Vanya.’ I
was very excited. For ten years—from the time of working with Victor
Maurel, I had hoped to get back to the stage.”
She ran out to a bookshop, and presently was back, deep in the play. She
thought Helena a hard part—wondered if she could do it. Her stage work
lay far behind her—really counted for little, though for more, perhaps,
than she realized.
Public-domain text, read in full here on John Shaqi.
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