There was nothing resembling dissipation among the Biograph group. On
the contrary, there was an atmosphere of earnest study and thought.
Stimulated by Griffith, himself a voluminous and inclusive reader, the
young women, especially, rather put on airs in their devotion to
research and philosophy: Nietzsche, Strindberg, Schopenhauer,
Spinoza—these were their favorites. What time they found to read them,
it is difficult to see, now—nights and Sundays, perhaps. At all events,
they did read them, or read at them, and discussed them feverishly
during any spare moments. Blanche Sweet, Mae Marsh, Lillian and Dorothy,
Miriam Cooper, Anita Loos—these chiefly were the students. Anita Loos
was in the scenario department, and very keen, one of the best-posted.
Anita discussed so much, and so capably, that Griffith called her
“Madame Spinoza.”
When it happened that they made a picture that touched upon anything
historic or geographic, they tried to “read up” for color, costume,
background. Lillian reveled in such research; swiftly, eagerly, she
added to her knowledge of the past, of life in general. The others were
like that, too, more or less.
“Did those girls have sweethearts?” I asked Griffith, a little while
ago.
“I don’t know; I don’t remember any. I don’t see where they would have
found time for them. Today, stars and others make one big production,
and have long waits between. We had nothing like that. We were producing
every day. The demand was good, and not many companies. It was a
different world.”
Such a little while ago ... less than twenty years ... just yesterday!
But thinking of it now, and of all that has come, and gone, since then,
it seems, somehow, a Golden Age.
* * * * *
I like to think of Lillian in that truly lovely environment, that
“garden between dawn and sunrise,” among those wholesome, beautiful
girls and those strong, handsome young men, all busy at a work which,
however crude and inconsequential it may seem today, brought cheer and
comfort to the millions, then. I like to think of her and Dorothy
dashing along the hillsides, on range ponies, as painted Indians, or
whooping cowboys; I like to think of them with their mother, in their
apartment at the Brentwood, digging into the books which now for the
first time they could afford to buy—making up, as far as might be, for
the insufficient years.
How starved they were for books! They would drop into a book shop for
one, and come out with an armful. Before they knew it, they were
acquiring a library. Life was becoming worth while. Lillian to Nell:
“The world unfolds itself to me more and more every day, and sometimes
it seems so bright; then it changes ...”
For the most part she thought herself very well off—in a world where no
one is more than passably happy—and increasingly devoted herself to her
work.
Public-domain text, read in full here on John Shaqi.
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