“Life,” she wrote Nell, “is just one long photograph and interview.” Was
she all they said? “Queen of the Silent Drama”? “Duse and Bernhardt of
the Screen”? How could anyone be both? And why must she be anybody but
herself? Still, it was rather fun to have them say those things;
gratifying, too. Was she the little girl who such a brief while ago had
lost her little telescope bag, running for a train, and slept on the
station benches—tired, so tired?
She was tired, now. And there seemed no resting place. Almost
immediately back in Los Angeles, she was writing Nell:
“I work such long hours. Sometimes I don’t even see Mother for days. Can
you imagine us living in the same house and hardly seeing one another?
“I must go to the studio, now, to have what I hope will be my last
interview for years. I certainly was not made to be famous, it is
beginning to get on my nerves.”
Somewhat later, she wrote:
Nell, we don’t belong to that set where they think they buy
happiness with dollars. I think that is why I didn’t like New
York, this time—though of course I shouldn’t say that, as they
were wonderful to me, both the press and the people....
The studio gave a party for Mr. Griffith, Saturday night; all the
stage-hands, electricians and working men, their wives and
families, and of course the actors, and such. It reminded me of
Massillon—was just such a party as we would have there—bright
studio, all decorated with lanterns, and music playing, dancing,
sandwiches, _baked beans_, ice-cream.... Madam (the colored lady
who cleans the place) sang and danced. Dick, Dorothy and Bobby
acted the fool—it was just a foolish party.
Her taste was for her friends, her work—the simple, daily round. Did she
sometimes stop to look back over the way she had come, and along a royal
road that stretched before? I think not often. She was not a dreamer in
that sense. When fan letters praised her to the skies, when the
newspapers labeled her “The World’s Darling,” she was pleased, no doubt,
but kept her balance; and sometimes, about three in the morning, she
found it no trouble to remember that “the world’s darling” was just a
frail, little figure, huddled in the dark, trying to get to sleep.
XVI
DIRECTOR LILLIAN
Public-domain text, read in full here on John Shaqi.
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