In looking back upon such a life as Clare's, so prominent are the human interests which confront us, that those of poetry, as one of the fine arts, are not unlikely to sink for a time completely out of sight. The long and painful strain upon our sympathy to which we are subject as we read the story is such perhaps as the life of no other English poet puts upon us. The spell of the great moral problems by which the lives of so many of our poets seem to have been more or less surrounded makes itself felt in every step of Clare's career. We are tempted to speak in almost fatalistic language of the disastrous gift of the poetic faculty, and to find in that the source of all Clare's woe. The well-known lines-- We poets in our youth begin in gladness, But thereof come in the end despondency and madness-- ring in our ears, and we remember that these are the words of a poet endowed with a well-balanced mind, and who knew far less than Clare the experience of Cold, pain, and labour, and all fleshly ills. In Clare's case we are tempted to say that the Genius of Poetry laid her fearful hand upon a nature too weak to bear her gifts and at the same time to master the untoward circumstances in which his lot was cast. But too well does poor Clare's history illustrate that interpretation of the myth which pictures Great Pan secretly busy among the reeds and fashioning, with sinister thought, the fatal pipe which shall "make a poet out of a man." And yet it may be doubted whether, on the whole, Clare's lot in life, and that of the wife and family who were dependent upon him, was aggravated by the poetic genius which we are thus trying to make the scapegoat for his misfortunes. It may be that the publicity acquired by the Northamptonshire Peasant Poet simply brings to the surface the average life of the English agricultural labourer in the person of one who was more than usually sensitive to suffering. Unhappily there is too good reason to believe that the privations to which Clare and his household were subject cannot be looked upon as exceptional in the class of society to which both husband and wife belonged, although they naturally acquire a deeper shade from the prospect of competency and comfort which Clare's gifts seemed to promise. In this light, while the miseries of the poet are none the less real and claim none the less of our sympathy, the moral problem of Clare's woes belongs rather to humanity at large than to poets in particular. We are at liberty to hope, then, that the world is all the richer, and that Clare's lot was none the harder, by reason of that dispensation of Providence which has given to English literature such a volume as "The Rural Muse." How many are there who not only fail, as Clare failed, to rise above their circumstances, but who, in addition, leave nothing behind them to enrich posterity! We are indeed the richer for Clare, but with what travail of soul to himself only true poets can know. ASYLUM POEMS