Although there was an attempt at court to lead to the belief that nothing had happened, a certain uneasy apprehension began to be felt, when it was rumoured that the lower classes were beginning to grow dissatisfied, and an almost ludicrous occurrence at the royal theatre revealed to the public the fact, that at times a guilty conscience can induce even great personages to lose their countenance. A few evenings after the eventful January 17, while the whole court were at the French play, there was a disturbance in the upper boxes, which continually increased, and was only augmented by those who tried to restore peace. One rumour followed the other, and in the end it was even stated that the convicts had broken prison and joined their friends and the sailors, for the purpose of creating a riot and an opportunity for plundering. This news ran like wildfire from box to box, through the pit and gallery, and all the audience, royal personages and court included, were in a fearful state of excitement. All began running to the doors, in order to get out and save themselves. The king, too, rushed from his box with wild looks, the hereditary prince followed his example, and the queen-mother tried in vain to keep them back, until she, overcome by terror, fell in a fainting fit. Similar scenes took place in the other boxes, and fainting ladies might be seen everywhere. The news of the affair had reached the city by this time, and curious persons collected round the theatre and tried to force their way in against those who were pouring out, until some cooler men discovered the origin of the whole business. A woman had taken her child with her into the gallery, and the latter disturbed the more immediate spectators by crying. They began quarrelling in consequence with the nurse, and in this way a general disturbance was brought about in the upper part of the playhouse.[52] The confusion produced by this interlude caused Biälke, the marshal of the court, to issue an order on January 23, by which, in future, children would not be allowed to be present at performances in the royal theatre, and grown-up persons would only be admitted on showing their tickets, to the amphitheatre, the pit-boxes, and the second tier. At the same time, he warned all those who wished to visit the theatre to behave themselves in the way which the presence of the royal family dictated, and not to disturb the performances by loud talking or noise. Any one who did so must expect to be refused admission to the theatre in future.