Life and Travel in India: Being Recollections of a Journey Before the Days of RailroadsLeonowens, Anna Harriette
History
Life and Travel in India: Being Recollections of a Journey Before the Days of Railroads
Leonowens, Anna Harriette
India -- Description and travel; India -- Social life and customs
The early Aryan priest, who was to his race what our poets and thinkers
are to us to-day, on awakening at dawn turned his face to the east, and,
waiting for the light, cried, "Arise! arise! the breath of our life has
come, the darkness has fled." The fire had to be kindled by men. "She,
the Dawn, brought us light by striking down darkness.--Shine for us with
thy best rays, O thou bright Dawn! thou who lengthenest our lives, thou
beloved of all, thou mother of the morning clouds, leader of the days,
gold-colored and lovely to behold!" When the sun at last climbed the
mountain-tops and shone upon his worshipper, he sang a deeper hymn of
joy to the Creator: "In the beginning there arose the source of golden
light. He was the first-born lord of all that is. He established the
earth and the sky. He gives us life, he gives us strength--whose shadow
is immortality, whose absence is death--he who through his power is the
only king of this breathing and awakening world."[14]
These songs were not only sung, but transmitted from father to son, long
before the age of a written alphabet, as a sacred, inviolable
inheritance, preserved from century to century in the religious memory
of the Aryan priest, even as they were recited to us evening after
evening at the "Aviary" by our modern pundit without book or notes or
text.
The pictures these songs present of the deep religious and poetic fervor
of the early Aryans, both before and after their descent into the plains
of India, of their pastoral and agricultural life, divided into separate
and distinct classes, as priest, king, shepherd, warrior, and tiller of
the soil, are in themselves the most comprehensive and valuable of
historical records.
The first and most important fact to be found in the study of these
hymns is that every home, every dwelling, has its own altar, which is
the family hearth, called the "dâdgâh" by the Fire-worshippers--that
"holy of holies" of which father and mother were priest and priestess.
This fire is the ancient "avesta," to which were attached three mystical
interpretations--first, "womanly purity;" second, the "inviolability of
the family;" and third, "the sacredness attached to the mother as the
transmitter of human life."
There is no doubt that from the Assyrians, Chaldeans, and the early
Iranians, who were then one with the purer Hindoos of to-day, this
worship of nature, and especially of fire in its triple significance,
was propagated southward among the Egyptians, westward among the Greeks,
and by them introduced into Italy.
Public-domain text, read in full here on John Shaqi.
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