On the ground the snipe moves about deliberately with bill pointing downwards. If alarmed it squats for concealment before jumping into flight when hard pressed; the longitudinal stripes on its back and head so closely resemble prostrate stems of dead grass that the bird is difficult to distinguish. Mr. Skinner "saw one alight and run rapidly along the ground for 20 feet, erect with head high, like a running bob white." C. J. Pennock watched one standing on a bare mud flat with "a continued up and down rhythmic movement of the entire body." E. H. Forbush (1925) writes: The snipe can swim and dive and uses both wings and feet under water in its efforts to escape. Mr. Will H. Parsons writes that he shot one that fell into a little clear streamlet where later he found it dead, under water, grasping a rootlet in its bill. Later, on the Scioto River, as he relates, he shot another which fell into the river, and, turning, swam back toward the shore. On seeing him approach it dived, and he saw it grasp a weed with its bill. Wading in he secured the bird "stone dead." _Voice._--Eliminating the winnowing flight notes, which are unquestionably instrumental, the Wilson snipe has a variety of vocal notes. The one most often heard is the familiar _scaipe_ note, a note of alarm and warning, given as the bird rises in hurried flight. This note has been variously expressed in writing, perhaps best by the word "escape", which the snipe often does, unless the sportsman is smart enough to say "no you don't," and prove it. "On the breeding grounds we frequently hear its loud notes of protest, uttered while it is flying about or perched on some tree or post; these are in the form of a loud clear whistle, like _wheat wheat wheat wheat_ or more subdued in tone like _whuck whuck whuck whuck_; they are always rapidly uttered and usually consist of four or five notes. E. W. Nelson (1887) refers to a similar note heard on the breeding grounds, as _yak yak yak yak_ in quick, energetic, explosive syllables. At the time when the bird is uttering its note, it flies along within a short distance of the ground with a peculiar jerky movement of the body and wings as every note is uttered." Mr. Nichols says in his notes: When a bird gets up almost from underfoot, the _scape_ is at times replaced by a series of short, hurried notes of similar character. It is interesting to find in the Wilson's snipe this imperfect differentiation of a note uttered at the moment of taking wing from one uttered when in or approaching full flight--as it is a condition slightly different from the calls of other more social shore birds which trust comparatively little to concealment, take wing while danger is still at a distance with hurried minor notes, so soft as to readily escape notice, and have each a loud diagnostic flight call of much service in their identification.