Francis H. Allen has sent me the following notes on the behavior of this species: "Aug. 27, 1915, Mt. Sunapee, N. H. On the summit of the mountain an immature myrtle warbler, very tame, flitted and hopped about on the ground, over moss and rocks, and in bushes and trees, feeding industriously on small insects. It seemed to pay no attention to my companion and me, and at one time hopped between us when we stood about 6 feet apart, and came within 2 feet of my outstretched hand as I held a crumb out towards it. I followed it about a little and found it quite fearless, except when I made a sudden movement. The bird could fly well and seemed perfectly well able to take care of itself. "July 5, 1931, Mt. Whiteface, N. H. One or more were seen flying up fifty or a hundred feet above the tops of the low spruces and darting about up there after insects--doubtless the black flies which were abundant on the summit. "Oct. 25, 1941, Plymouth, Mass. A sizable flock were feeding actively, flying back and forth across the narrow Eel River, feeding among foliage, catching flies and eating bayberries. One came within 6 feet of me and calmly ate bayberry after bayberry." _Voice._--Aretas A. Saunders contributes the following account of the songs: "The songs of the myrtle warbler show some differences from those heard from birds on migration or on the breeding grounds. The song in general is a series of short, rapid notes in a rather colorless simple, but musical quality. The number of notes, in my 41 records, varies from 7 to 21 and averages about 12. The songs heard on migration, however, average 11 while those on the breeding grounds average 14. "The songs heard on migration are quite indefinite in form; the pitch rises and falls irregularly, and no two songs are much alike. An individual bird may sing many variations, each song it sings often being a little different from the others. The notes, however, are all about the same length and loudness, accented notes that stand out from the others being rare. This song shows indications of a somewhat primitive character. "The song on the breeding grounds is somewhat more definite; the notes are often joined in 2-note phrases, the first note of each phrase higher in pitch than the second and each phrase successively higher, so that the song trends upward in pitch. This is true of 10 of my 13 records of the song on the breeding grounds in the Adirondacks. The other 3 have a slight downward trend. In addition to the more regular form, these songs have a somewhat brighter, livelier, and more musical sound than those heard on migration.