Life in the forests of the Far East (vol. 1 of 2)St. John, Spenser, Sir
History
Life in the forests of the Far East (vol. 1 of 2)
St. John, Spenser, Sir
Borneo -- Description and travel; Natural history -- Borneo; St. John, Spenser, Sir, 1825-1910 -- Travel -- Borneo
Sickness among mankind is occasionally caused by spirits inflicting on
people invisible wounds with invisible spears; indeed, they themselves
sometimes enter men’s bodies and drive out the soul. As a rule, to be
ill is to have been smitten by a spirit,[8] for it is these implacable
foes of mankind who under all circumstances entice forth and endeavour
to carry away the souls of men. If any one in his wanderings through
the jungle is wounded or killed by the spring traps[9] set near the
farms to destroy pigs who may attempt to break through into the fields,
it is because the spirit of the trap has caused darkness to pass
over his eyes, so that he should not see the regular warning mark,
consisting of two bamboos crossed, which tells of the neighbourhood of
danger.
To return, however, to the incantations by which the inimical spirits
are propitiated or foiled in their machinations. They are three:
“Nyibaiyan,” or the ceremony for restoring health. At this only one
fowl is killed; two priestesses are the actors, and they spend their
time chanting monotonously; the taboo lasts two nights. The invalid
and the person who prepares the magic ointment (a near relative of the
patient) are the only persons subject to its restraints.
“Berobat Pinya” is also for sickness. At this one priest and four or
five priestesses attend, the interdict lasts four days, and one pig and
one fowl are killed. Outside the door of the family apartment in which
the incantation is held are gathered together, in a winnowing basket,
an offering of fowls, yams, and pork, fowl and pig’s blood in a cup,
boiled rice and sirih-leaf, and areca-nut: these are for the various
spirits. On the first day of the incantation two priestesses pretend
to fight with each other with drawn swords, which they wave and slash
about in so furious a manner, as at once to put to flight the trembling
ghost. After this display of valour, chanting begins, accompanied by
the music of a small gong and a drum, the latter beaten by the priest;
this continues for a day and night. Towards midnight he proceeds to get
the soul of the patient. Carefully wrapping up a small cup in a white
cloth, he places it amidst the offerings before mentioned, then, with
a torch in one hand and a circlet of beads and tinkling hawk bells in
the other, he stalks about shaking his charms. After a little time he
orders one of the admiring spectators to look in the cup previously
wrapped up in white cloth, and sure enough there the soul always is,
in the form of a bunch of hair to vulgar eyes, but to the initiated in
shape and appearance like a miniature human being. This is supposed to
be thrust into a hole in the top of the patient’s head, invisible to
all but the learned man. He has thus recovered the man’s soul, or, as
it may be called, the principle of life that was departing from him.
Public-domain text, read in full here on John Shaqi.
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