Life in the forests of the Far East (vol. 1 of 2)St. John, Spenser, Sir
History
Life in the forests of the Far East (vol. 1 of 2)
St. John, Spenser, Sir
Borneo -- Description and travel; Natural history -- Borneo; St. John, Spenser, Sir, 1825-1910 -- Travel -- Borneo
At this, and at the third and last harvest feast, the soul of the rice
is secured. The way of obtaining it varies in different tribes. In the
Quop district it is done by the chief-priest alone; first, in the long
and broad verandah where the altar is erected, and afterwards in each
separate family apartment. Sometimes it is performed by day, sometimes
by night; and the process is this: the priest, fixing his eyes on some
object visible only to him, takes in one hand his bundle of charms and
in the other a second composed of pigs’ and bears’ and dogs’ tusks
and teeth, and large opaque-coloured beads; a little gold dust is also
necessary in this ceremony, during which he calls aloud for white
cloth; when it is brought and spread before him, he waves his charms
towards the invisible object in the air, and then shakes it over the
white cloth, into which there fall a few grains of rice, which Tapa, in
reward for their offerings and invocations, sends down to them. This
is the soul, and it is immediately wrapped up with great care and laid
among the offerings around the altar.
The gold dust and white cloth are generally furnished at their
earnest request by the government, as the Dayaks think it exercises a
beneficial effect to receive it from white men. It used to be supplied
by the Malay rulers.
In some tribes it is a far more exciting spectacle, especially when
done at night. A large shed is erected outside the village, and
lighted by huge fires inside and out, which cast a ruddy glow over the
dense mass of palms surrounding the houses; while gongs and drums are
crashing around a high and spacious altar near the shed, where a number
of gaily-dressed men and women are dancing with slow and stately step
and solemn countenances, some bearing in their hands lighted tapers,
some brass salvers on which are offerings of rice, and others closely
covered baskets, the contents of which are hidden from all but the
initiated. The corner-posts of the altar are lofty bamboos, whose leafy
summits are yet green and rustic in the wind; and from one of these
hangs down a long, narrow streamer of white cloth. Suddenly elders and
priests rush to it, seize hold of its extremity, and amid the crashing
sound of drums and gongs and the yells of spectators, begin dancing and
swaying themselves backwards and forwards, and to and fro. An elder
springs on the altar, and begins violently to shake the tall bamboos,
uttering as he does so shouts of triumph, which are responded to by
the swaying bodies of those below; and amid all this excitement, small
stones, bunches of hair and grains of rice, fall at the feet of the
dancers, and are carefully picked up by watchful attendants. The rice
is the soul sought for, and the ceremony ends by several of the oldest
priestesses falling, or pretending to fall, to the earth senseless;
where, till they recover, their heads are supported and their faces
fanned by their younger sisters.
Public-domain text, read in full here on John Shaqi.
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