Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth centuryLenclos, Ninon de
Philosophy
Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth century
Lenclos, Ninon de
Lenclos, Ninon de, 1620-1705
What is the destiny of women? What is their rôle on earth? It is to
please. Now, a charming figure, personal graces, in a word, all the
amiable and brilliant qualities are the only means of succeeding in
that role. Women possess them to a superlative degree, and it is in
these qualities that they wish men to resemble them. It will be vain
for you to accuse them of frivolity, for they are playing the beauty
rôle, since they are destined to make you happy. Is it not, indeed,
due to the charm of our companionship, to the gentleness of our
manners, that you owe your most satisfying pleasures, your social
virtues, in fact, your whole happiness? Have some good faith in this
matter. Is it possible for the sciences of themselves, the love of
glory, valor, nay, even that friendship of which you boast so much, to
make you perfectly happy? The pleasure you draw from any of them, can
it be keen enough to make you feel happy? Certainly not. None of them
have the power to relieve you from a wearisome monotony which crushes
you and makes you an object of pity.
It is women who have taken upon themselves to dissipate these mortal
languors by the vivacious gayety they inject into their society; by
the charms they know so well how to lavish where they will prove
effectual. A reckless joy, an agreeable delirium, a delicious
intoxication, are alone capable of awakening your attention, and
making you understand that you are really happy, for, Marquis, there
is a vast difference between merely enjoying happiness and relishing
the sensation of enjoying it. The possession of necessary things does
not make a man comfortable, it is the superfluous which makes him
rich, and which makes him feel that he is rich.
Public-domain text, read in full here on John Shaqi.
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