Life of Abraham Lincoln, Sixteenth President of the United StatesCrosby, Frank
History
Life of Abraham Lincoln, Sixteenth President of the United States
Crosby, Frank
Lincoln, Abraham, 1809-1865
At the door he stopped and said, “Colfax, do not forget to tell
the people in the mining regions, as you pass through them, what I
told you this morning about the development when peace comes, and I
will telegraph you at San Francisco.” Having shaken hands with both
gentlemen and bidden them a pleasant good-bye, the President with his
party left for the theatre.
The box occupied by them was on the second tier above the stage, at
the right of the audience, the entrance to it being by a door from the
adjoining gallery. One, who had planned Mr. Lincoln’s assassination
with extraordinary precautions against any failure, having effected
an entrance by deceiving the guard, found himself in a dark corridor,
of which the wall made an acute angle with the door. The assassin had
previously gouged a channel from the plaster and placed near by a stout
piece of board, which he next inserted between the wall and the panel
of the door.
Ingress then being rendered impossible, he next turned toward the
entrances to the President’s box, two in number, as the box by a
sliding partition could, at pleasure, be converted into two. The door
at the bottom of the passage was open; that nearer the assassin was
closed. Both had spring-locks, but their screws had been carefully
loosened so as to yield to a slight pressure, if necessary.
Resort was had to the hither door, in which a small hole had been
bored, for the purpose of securing a view of the interior of the box,
the door first described having first been fastened, and the discovery
made that the occupants had taken seats as follows: the President in
the arm-chair nearest the audience, Mrs. Lincoln next, then, after
a considerable space, a Miss Clara Harris in the corner nearest the
stage, and a Major H. R. Rathbone on a lounge along the further wall.
The play was, “Our American Cousin.” While all were intent upon its
representation, the report of a pistol first announced the presence
of the assassin, who uttered the word “Freedom!” and advanced toward
the front. The Major having discerned the murderer through the smoke,
and grappled with him, the latter dropped his pistol and aimed with a
knife at the breast of his antagonist, who caught the blow in the upper
part of his left arm, but was unable to detain the desperado, though he
immediately seized him again. The villain, however, leaped some twelve
feet down upon the open stage, tangling his spur in the draped flag
below the box and stumbling in his fall.
Recovering himself immediately, he flourished his dagger, shouted “_Sic
semper tyrannis_” and “_The South is avenged_,” retreated successfully
through the labyrinth of the theatre--perfectly familiar to him--to his
horse in waiting below. Between the deed of blood and the escape there
was not the lapse of a minute. The hour was about half-past ten. There
was but one pursuer, and he from the audience, but he was outstripped.
Public-domain text, read in full here on John Shaqi.
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