abandons the ordinary ways of mature rent collectors as to ask a respectable old accountant to "give him a back," in the Marshalsea court, and leaps over his head, we are obviously in a world of pantomime. Dickens' comic effects are generally quite forced enough, and should never be further forced when translated into the sister art of drawing. Rather, if anything, should they be attenuated. But unfortunately exaggeration happened to be inherent in the draftsmanship of both Cruikshank and Browne. And, having said this, I may as well finish with the subject of the illustrations to Dickens' books. "Our Mutual Friend" was illustrated by Mr. Marcus Stone, R.A., then a rising young artist, and the son of Dickens' old friend, Frank Stone. Here the designs fall into the opposite defect. They are, some of them, pretty enough, but they want character. Mr. Fildes' pictures for "Edwin Drood" are a decided improvement. As to the illustrations for the later _Household Edition_, they are very inferior. The designs for a great many are clearly bad, and the mechanical execution almost uniformly so. Even Mr. Barnard's skill has had no fair chance against poor woodcutting, careless engraving, and inferior paper. And this is the more to be regretted, in that Mr. Barnard, by natural affinity of talent, has, to my thinking, done some of the best art work that has been done at all in connection with Dickens. His _Character Sketches_, especially the lithographed series, are admirable. The Jingle is a masterpiece; but all are good, and he even succeeds in making something pictorially acceptable of Little Nell and Little Dorrit.