Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
He had firm grounds for his confidence, as the sequel showed, though
many dark days of hope deferred were yet to put his mettle to the
proof. He was in his twentieth year, and his reputation had not reached
much beyond the local centres where he had gained it. But it was
plainly beginning to spread. Even his friendliest admirers had not the
prescience to discern the signs of that vast success which was to make
him a continental celebrity; but he knew better than they the fervor of
his ambition and the strength of the motives that fed it, and he felt
the consciousness of a latent power which justified him in sanguine
dreams for the future. His intuitive perception had interpreted better
than the critics or his friends the revelation and prophecy contained
in the effects he had already often produced on his audiences. He
knew very well himself that which it needed fame to make the public
consciously recognize. That fame he not only expected, but was resolved
to win.
In the autumn he succeeded in securing an engagement on moderate
terms at the theatre in Albany, then under the management of a
shrewd, capable, but eccentric Dutchman, Charles Gilfert. He was to
play leading parts in the stock company, and second parts to stars.
Albany, as the capital of the State of New York, during the theatrical
season was thronged with cultivated and distinguished people, and
was an excellent place for a dramatic aspirant to achieve and extend
a reputation. Forrest began with good heart and zeal, and, without
any sudden or brilliant success, received sufficient encouragement
to increase his confidence and keep him progressing. He took great
pains to perfect his physical development, exercising his voice in
declamation, practising gestures, and every night and morning taking
a thorough sponge-bath, followed by vigorous friction with coarse
towels. Immediately after his morning ablutions he always devoted a
half-hour to gymnastics,--using dumb-bells, springing, attitudinizing,
and walking two or three times about the room on his hands. One of the
most distinguished philosophical writers of our country, who was a
native of Albany and at that time a particular friend of Forrest, has
recently been heard to describe with great animation the pleasure he
used to take in visiting the actor at this early hour of the morning to
see him go through his gymnastic performances. The metaphysician said
he admired the enormous strength displayed by the player, and applauded
his fidelity to the conditions for preserving and increasing it, though
for his own part he never could bring himself to do anything of the
kind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive