Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
He shut himself up in his room with his Shakspeare. He studied the
part with all the earnestness of his soul, over and over, with every
light he could bring to bear upon it, carefully perfected himself in
it according to his best ideal, and impatiently awaited the evening.
It came, and found a house poor in numbers, which disheartened him not
a whit. Durang was there, and has described the scene. The audience,
though neither fashionable nor large, was eager and susceptible. As
the actor came on, his careful costume, superb form, and reposeful
bearing made a strong sensation on the expectant auditory. And when
the sweet, resonant tones of his deep, rich voice broke forth in
the eloquence of an unaffected manliness, the charm was obviously
deepened. His remarkable self-possession and deliberate way of doing
just what he intended to do were very impressive, and, combined with
his terrible earnestness growing with the thickening plot, took hold
of the sympathies of the house more and more powerfully. In the
middle of the pit sat Gilfert, energetically plying his snuff-box and
inspecting alternately the player and the spectators. And when, in the
fourth act, as the pent flood of passion in the breast of the tortured
Othello burst in fearful explosion on Iago in one resplendent climax of
attitude, look, voice and gesture, and the whole audience rose to their
feet and gave vent to their unprecedented excitement in round after
round of cheering, the little Dutchman let his snuff-box mechanically
slip through his fingers, and cried, "By heaven, he has made a hit!"
The popular verdict was one of unqualified enthusiasm, and the
directors and manager of the Bowery felt that they had underrated their
prize. Gilfert hurried behind the scenes, lavishing congratulations on
his protégé, and promising the next day to pay his debts and supply him
with some pocket-money. In doing a kind thing for a needy fellow-actor,
Forrest found that he had also done an exceedingly good thing for
himself.
With the means he had wrung from the delinquent and doubtful but now
sanguine Gilfert, he proceeded to Albany and redeemed his wardrobe.
He then went to Washington, and played Rolla for the benefit of his
brother William. He next fulfilled an engagement as a Star for six
nights in Baltimore, and then paid a visit to his home in Philadelphia.
He was able from the remnant of his earnings to carry four hundred
dollars to his mother. And when he gave it to her, sitting happy at her
feet, and told her of his trials, and of his struggles against them,
as he felt her hand on his head and saw her fond eyes looking approval,
the sweetness of the satisfaction seemed to sink into his very bones.
So he himself said, and added, "The applause I had won before the
foot-lights? Yes, it was most welcome and precious to me; but, compared
with this, it was nothing, less than nothing!"
Public-domain text, read in full here on John Shaqi.
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