Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
But he had sufficient force and height of character not to yield
himself up to selfish indulgence. Notwithstanding the flattery bestowed
on him, he felt the defects in his education, and determined to
remedy them as well as he could. He knew that he needed the polish
of literary and social culture and the training of critical studies
alike to supplement the advantages and to neutralize the disadvantages
of the coarse and boisterous scenes--the bold and lawless styles of
men--amidst which much of his life in the West and South had been
passed. Accordingly, when the opportunity was given him for a choice
of associates, he took for his intimate friends in New York a very
different class from those he had affiliated with in New Orleans.
Without at all losing his taste for manly sports or shunning the
company of their votaries, his preferred friends were men of literary
and artistic tastes, of the highest refinement and the best social
rank. A large number of accomplished persons, like Leggett, Bryant,
Wetmore, Halleck, Inman, Ingraham, Dunlap, Lawson, were in those years
on affectionate terms with him as his avowed admirers. From their
example, their conversation, their criticism, he profited much. He
became a liberal buyer of books, and soon had an excellent library,
which he used faithfully, devoting a large portion of his leisure to
reading. Nor did he read idly. He read as a student, reflecting on
what he read, striving to improve his mind and taste by knowledge in
general, as well as to pierce more deeply into the philosophy of the
dramatic art in particular. He made himself familiar with the history
of plastic and pictorial art, with engravings of celebrated statues
and paintings, carefully noting their most impressive attitudes and
groupings. He also explored the history of costume in the principal
countries, classic, mediæval, and modern. The habit of reading
and meditating which he formed at this time was fostered by many
influences, grew stronger with his years, spread over wide provinces of
biography, poetry, philosophy, and science, and was to the very last
the chief solace and ornament of his existence.
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